art painting work artist artistic artists works arts paintings visual aesthetic modernist modernism painter modern museum abstract fried style

0.32 Richard Shiff, Seeing Cézanne, Critical Inquiry, 1978.
0.29 Yve-Alain Bois Amy Reiter-McIntosh, Piet Mondrian "New York City", Critical Inquiry, 1988.
0.29 Michael Fried, Painter into Painting: On Courbet's "After Dinner at Ornans" and "Stonebreakers", Critical Inquiry, 1982.
0.29 Michael Fried, The Structure of Beholding in Courbet's "Burial at Ornans", Critical Inquiry, 1983.
0.28 Jas' Elsner, From Empirical Evidence to the Big Picture: Some Reflections on Riegl's Concept of Kunstwollen, Critical Inquiry, 2006.
0.28 Michael Fried, Response to Caroline A Jones, Critical Inquiry, 2001.
0.28 Michael Fried, Thoughts on Caravaggio, Critical Inquiry, 1997.
0.27 Charles Harrison, Art & Language Paints a Landscape, Critical Inquiry, 1995.
0.27 Jeff Wall, Conceptual Postconceptual Nonconceptual: Photography and the Depictive Arts, Critical Inquiry, 2012.
0.27 Clement Greenberg, Necessity of "Formalism", New Literary History, 1971.
0.27 Charles Harrison, On the Surface of Painting, Critical Inquiry, 1989.
0.27 David Carrier, The Presentness of Painting: Adrian Stokes as Aesthetician, Critical Inquiry, 1986.
0.26 Katharina Lorenz Jas' Elsner, `On the Relationship of Art History and Art Theory': Translators' Introduction, Critical Inquiry, 2008.
0.26 W. J. T. Mitchell, "Ut Pictura Theoria": Abstract Painting and the Repression of Language, Critical Inquiry, 1989.
0.25 Steven Z. Levine, Courbet Bronzino and Blasphemy, New Literary History, 1991.
0.25 Michael Fried, How Modernism Works: A Response to T J Clark, Critical Inquiry, 1982.
0.25 Marshall Cohen, Notes on Modernist Art, New Literary History, 1971.
0.24 Richard Shiff, Representation Copying and the Technique of Originality, New Literary History, 1984.
0.24 Svetlana Alpers, Describe or Narrate? A Problem in Realistic Representation, New Literary History, 1976.
0.24 Margaret Olin, Validation by Touch in Kandinsky's Early Abstract Art, Critical Inquiry, 1989.
0.24 Diarmuid Costello, On the Very Idea of a ‘Specific’ Medium: Michael Fried and Stanley Cavell on Painting and Photography as Arts, Critical Inquiry, 2008.
0.24 Thierry de Duve Brian Holmes, How Manet's "A Bar at the Folies-Bergère" Is Constructed, Critical Inquiry, 1998.
0.24 Paul Mattick, The Andy Warhol of Philosophy and the Philosophy of Andy Warhol, Critical Inquiry, 1998.
0.24 Richard Shiff, Art and Life: A Metaphoric Relationship, Critical Inquiry, 1978.
0.24 John R. Searle, "Las Meninas" and the Paradoxes of Pictorial Representation, Critical Inquiry, 1980.
0.23 Michael Fried, Manet in His Generation: The Face of Painting in the 1860s, Critical Inquiry, 1992.
0.23 Michael Leja, Barnett Newman's Solo Tango, Critical Inquiry, 1995.
0.23 Michael Fried, Painting Memories: On the Containment of the past in Baudelaire and Manet, Critical Inquiry, 1984.
0.22 Art & Language, Voices Off: Reflections on Conceptual Art, Critical Inquiry, 2006.
0.22 Philip Fisher, Jasper Johns: Strategies for Making and Effacing Art, Critical Inquiry, 1990.
0.22 Michael Fried, Between Realisms: From Derrida to Manet, Critical Inquiry, 1994.
0.21 Branden W. Joseph, White on White, Critical Inquiry, 2000.
0.21 Wassily Kandinsky Adrienne Kochman, Secession, Critical Inquiry, 1997.
0.21 Misko Suvakovic, Conceptual Art Political Art and the Poetry of "CODE", boundary 2, 1999.
0.21 David Rosand, Art History and Criticism: The Past as Present, New Literary History, 1974.
0.21 Caroline A. Jones, Anxiety and Elation: Response to Michael Fried, Critical Inquiry, 2001.
0.21 J. M. Bernstein, Readymades Monochromes Etc: Nominalism and the Paradox of Modernism, Diacritics, 2002.
0.21 Meyer Schapiro H. W. Janson E. H. Gombrich, Criteria of Periodization in the History of European Art, New Literary History, 1970.
0.21 David Summers, Intentions in the History of Art, New Literary History, 1986.
0.20 David Summers, Conventions in the History of Art, New Literary History, 1981.
0.20 Harold Rosenberg, Metaphysical Feelings in Modern Art, Critical Inquiry, 1975.
0.20 Erwin Panofsky Kenneth J. Northcott Joel Snyder, The Concept of Artistic Volition, Critical Inquiry, 1981.
0.20 Svetlana Alpers Paul Alpers, Ut Pictura Noesis? Criticism in Literary Studies and Art History, New Literary History, 1972.
0.20 Robert Zaller, Philip Guston and the Crisis of the Image, Critical Inquiry, 1987.
0.19 William Conger Thierry de Duve, Letters to the Editor, Critical Inquiry, 1999.
0.19 Stephen Bann, Pop Art and Genre, New Literary History, 1993.
0.19 Keith Moxey, Panofsky's Concept of "Iconology" and the Problem of Interpretation in the History of Art, New Literary History, 1986.
0.19 Alexander Nemerov, The Flight of Form: Auden Bruegel and the Turn to Abstraction in the 1940s, Critical Inquiry, 2005.
0.19 Marcel Franciscono, History Textbooks and Art: Reflections on a Half Century of Helen Gardner's "Art through the Ages", Critical Inquiry, 1977.
0.19 Richard Shiff, Remembering Impressions, Critical Inquiry, 1986.
0.19 Erwin Panofsky, On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art, Critical Inquiry, 2008.
0.18 James S. Ackerman, On Judging Art without Absolutes, Critical Inquiry, 1979.
0.18 Jaś Elsner Katharina Lorenz, The Genesis of Iconology, Critical Inquiry, 2012.
0.18 Andrew Wilton, Sublime or Ridiculous? Turner and the Problem of the Historical Figure, New Literary History, 1985.
0.18 Donald Preziosi, The Question of Art History, Critical Inquiry, 1992.
0.18 Caroline A. Jones, The Modernist Paradigm: The Artworld and Thomas Kuhn, Critical Inquiry, 2000.
0.17 Thierry de Duve, Intuition Logic Intuition, Critical Inquiry, 1998.
0.17 Gerardo Mosquera, Bad Taste in Good Form, Social Text, 1986.
0.17 Richard Neer, Connoisseurship and the Stakes of Style, Critical Inquiry, 2005.
0.17 Philipp Fehl, Turner's Classicism and the Problem of Periodization in the History of Art, Critical Inquiry, 1976.
0.17 Marshall Brown, The Classic Is the Baroque: On the Principle of Wölfflin's Art History, Critical Inquiry, 1982.
0.17 David Summers, David Summers Replies, New Literary History, 1986.
0.17 Saloni Mathur, A Retake of Sher-Gil's Self-Portrait as Tahitian, Critical Inquiry, 2011.
0.17 Michael Fried, Forget It: A Response to Richard Shiff, Critical Inquiry, 1986.
0.17 David Summers, "Form" Nineteenth-Century Metaphysics and the Problem of Art Historical Description, Critical Inquiry, 1989.
0.17 Joan Hart, Erwin Panofsky and Karl Mannheim: A Dialogue on Interpretation, Critical Inquiry, 1993.
0.16 Anders Stephanson Craig Owens, Interview with Craig Owens, Social Text, 1990.
0.16 Philip Fisher, The Future's Past, New Literary History, 1975.
0.16 Joan Burbick, Grimaces of a New Age: The Postwar Poetry and Painting of William Carlos Williams and Jackson Pollock, boundary 2, 1982.
0.16 James A. W. Heffernan, Critical Response

Staging Absorption and Transmuting the Everyday: A Response to Michael Fried, Critical Inquiry, 2008.
0.16 Joel Snyder Ted Cohen, Reflexions on "Las Meninas": Paradox Lost, Critical Inquiry, 1980.
0.16 Jonathan D. Kramer, Can Modernism Survive George Rochberg?, Critical Inquiry, 1984.
0.16 Catherine A. F. Mac Gillivray, Translator's Preface, New Literary History, 1993.
0.16 Jeffrey Wieand, Duchamp and the Artworld, Critical Inquiry, 1981.
0.16 Giulio Carlo Argan Rebecca West, Ideology and Iconology, Critical Inquiry, 1975.
0.16 Horst Bredekamp, A Neglected Tradition? Art History as Bildwissenschaft, Critical Inquiry, 2003.
0.16 Joel Rudinow, Duchamp's Mischief, Critical Inquiry, 1981.
0.16 Karin Cope, Painting after Gertrude Stein, Diacritics, 1994.
0.15 Robert Morris, Size Matters, Critical Inquiry, 2000.
0.15 Peter Brooks, Storied Bodies or Nana at Last Unveil'd, Critical Inquiry, 1989.
0.15 Caroline A. Jones, Finishing School: John Cage and the Abstract Expressionist Ego, Critical Inquiry, 1993.
0.15 Quentin Bell, Art and the Elite, Critical Inquiry, 1974.
0.15 Dore Ashton, On Harold Rosenberg, Critical Inquiry, 1980.
0.15 Murray Krieger, The Ambiguities of Representation and Illusion: An E H Gombrich Retrospective, Critical Inquiry, 1984.
0.15 Rosalind E. Krauss, The Story of the Eye, New Literary History, 1990.
0.15 David Rosand, Ut Pictor Poeta: Meaning in Titian's Poesie, New Literary History, 1972.
0.15 Steven Z. Levine, Moxey's Moxie and the Summers of '84: Intention and Interpretation in the History of Art: A Commentary, New Literary History, 1986.
0.15 Joel Snyder, "Las Meninas" and the Mirror of the Prince, Critical Inquiry, 1985.
0.15 John Passmore, History of Art and History of Literature: A Commentary, New Literary History, 1972.
0.15 Elizabeth Harney, Postcolonial Agitations: Avant-Gardism in Dakar and London, New Literary History, 2010.
0.15 Michael Ann Holly, Past Looking, Critical Inquiry, 1990.
0.15 Arthur C. Danto, Commentary, New Literary History, 1986.
0.14 Abigail Solomon-Godeau, Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics, Social Text, 1989.
0.14 Octavio Paz, Water Writes Always in Plural, Diacritics, 1978.
0.14 Michael Holzman, At the Anthropology Museum, boundary 2, 1980.
0.14 Rebecca Zorach, Love Truth Orthodoxy Reticence; or What Edgar Wind Didn’t See in Botticelli’s Primavera, Critical Inquiry, 2007.
0.14 Andrea Fraser, A "Sensation" Chronicle, Social Text, 2001.
0.14 Joshua C. Taylor, Two Visual Excursions, Critical Inquiry, 1974.
0.14 Stephen Bann, Questions of Genre in Early Nineteenth-Century French Painting, New Literary History, 2003.
0.14 Jack Undank, Between the Eye and the Word: Eighteenth-Century Readers and Viewers, boundary 2, 1982.
0.14 Quentin Bell, The Art Critic and the Art Historian, Critical Inquiry, 1975.
0.14 William V. Spanos Don De Mauro, The Art of Don DeMauro, boundary 2, 1977.
0.14 Elizabeth Abel, Redefining the Sister Arts: Baudelaire's Response to the Art of Delacroix, Critical Inquiry, 1980.
0.14 Gregory L. Ulmer, Borges and Conceptual Art, boundary 2, 1977.
0.14 David Carrier, Circa 1640. New Literary History, 1990,
0.14 Kurt W. Forster, Critical History of Art or Transfiguration of Values?, New Literary History, 1972.
0.14 Robert Pippin, Authenticity in Painting: Remarks on Michael Fried's Art History, Critical Inquiry, 2005.
0.14 Coco Fusco Robert Knafo, Interviews with Cuban Artists, Social Text, 1986.
0.14 Felix Thürlemann Cheryl Spiese McKee, Fictionality in Mantegna's San Zeno Altarpiece Structures of Mimesis and the History of Painting, New Literary History, 1989.
0.14 Diarmuid Costello, Automat Automatic Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts, Critical Inquiry, 2012.
0.14 Jeremy Gilbert-Rolfe, Nietzschean Critique and the Hegelian Commodity or the French Have Landed, Critical Inquiry, 1999.
0.14 Michael Ann Holly, Writing Leonardo Backwards, New Literary History, 1992.
0.14 Quentin Bell E. H. Gombrich James S. Ackerman, Notes and Exchanges, Critical Inquiry, 1979.
0.14 T. J. Clark, Clement Greenberg's Theory of Art, Critical Inquiry, 1982.
0.14 Robert McGregor, "Art": Again, Critical Inquiry, 1979.
0.14 James S. Ackerman, Toward a New Social Theory of Art, New Literary History, 1973.
0.13 Dore Ashton, Artists and Politics Politics and Art, Social Text, 1985.
0.13 Hal Foster, Wild Signs: The Breakup of the Sign in Seventies' Art, Social Text, 1989.
0.13 Michael Fried, Toward a Supreme Fiction: Genre and Beholder in the Art Criticism of Diderot and His Contemporaries, New Literary History, 1975.
0.13 Natalia Majluf, "Ce n'est pas le Pérou" or the Failure of Authenticity: Marginal Cosmopolitans at the Paris Universal Exhibition of 1855. Critical Inquiry, 1997,
0.13 Robert S. Nelson, The Slide Lecture or the Work of Art "History" in the Age of Mechanical Reproduction, Critical Inquiry, 2000.
0.13 Michael Hunt Stolbach, A Day without Art, Social Text, 1990.
0.13 Clive van den Berg, Love's Ballast [monoprint], Social Text, 2010.
0.13 Bill Brown, Counting (Art and Discipline), Critical Inquiry, 2009.
0.13 George Kubler, History: Or Anthropology: Of Art?, Critical Inquiry, 1975.
0.13 O. K. Werckmeister, A Critique of T J Clark’s Farewell to an Idea, Critical Inquiry, 2002.
0.13 James Elkins, Precision Misprecision Misprision, Critical Inquiry, 1998.
0.13 Erwin Panofsky Jaś Elsner Katharina Lorenz, On the Problem of Describing and Interpreting Works of the Visual Arts, Critical Inquiry, 2012.
0.13 Diarmuid Costello Margaret Iversen, Introduction: Photography between Art History and Philosophy, Critical Inquiry, 2012.
0.12 Michael Maranda, Facts, New Literary History, 1998.
0.12 Ron Graziani, Robert Smithson's Picturable Situation: Blasted Landscapes from the 1960s, Critical Inquiry, 1994.
0.12 Richard Harvey Brown, Toward a Sociology of Aesthetic Forms: A Commentary, New Literary History, 1986.
0.12 Terry Smith, Contemporary Art and Contemporaneity, Critical Inquiry, 2006.
0.12 Oleg Grabar, History of Art and History of Literature: Some Random Thoughts, New Literary History, 1972.
0.12 John Fisher, Entitling, Critical Inquiry, 1984.
0.12 Keith Moxey, Perspective Panofsky and the Philosophy of History, New Literary History, 1995.
0.12 Jean Laude Robert T. Denomme, On the Analysis of Poems and Paintings, New Literary History, 1972.
0.12 Michael North, The Public as Sculpture: From Heavenly City to Mass Ornament, Critical Inquiry, 1990.
0.12 Patrick Maynard, Arts Agents Artifacts: Photography's Automatisms, Critical Inquiry, 2012.
0.12 Donald Preziosi, That Obscure Object of Desire: The Art of Art History, boundary 2, 1985.
0.12 Robert Morris, The Labyrinth and the Urinal, Critical Inquiry, 2009.
0.12 Mark Roskill, On the Recognition and Identification of Objects in Paintings, Critical Inquiry, 1977.
0.12 Michael Fried, Seven Poems, Critical Inquiry, 2008.
0.12 E. H. Gombrich Quentin Bell, Canons and Values in the Visual Arts: A Correspondence, Critical Inquiry, 1976.
0.12 Catherine A. F. Mac Gillivray, Without no End no State of Drawingness no rather: The Executioner's Taking off: Translator's Preface, New Literary History, 1993.
0.12 Alastair Fowler, Periodization and Interart Analogies, New Literary History, 1972.
0.11 Griselda Pollock, Moments and Temporalities of the Avant-Garde "in of and from the feminine", New Literary History, 2010.
0.11 Lawrence Lipking, Periods in the Arts: Sketches and Speculations, New Literary History, 1970.
0.11 Arnold Hauser Kenneth Northcott, The "l'art pour l'art" Problem, Critical Inquiry, 1979.
0.11 Anthony Savile, Historicity and the Hermeneutic Circle, New Literary History, 1978.
0.11 Douglas Crimp, Getting the Warhol We Deserve, Social Text, 1999.
0.11 Margarita Tupitsyn, Sots Art: Round Dance versus Ritual, Social Text, 1989.
0.11 Steven Z. Levine, Seascapes of the Sublime: Vernet Monet and the Oceanic Feeling, New Literary History, 1985.
0.11 Marie-Hélène Huet, Ritual Violence: Courbet and George Sand, New Literary History, 1995.
0.11 Michael Fried, Jeff Wall Wittgenstein and the Everyday, Critical Inquiry, 2007.
0.11 E. H. Gombrich, The Museum: Past Present and Future, Critical Inquiry, 1977.
0.11 Michael Fried, Seven Poems, Critical Inquiry, 2008.
0.11 Susette Min, Aesthetics, Social Text, 2009.
0.11 Lydia Nakashima Degarrod, Landscapes of Terror Dreams and Loneliness: Explorations in Art Ethnography and Friendship, New Literary History, 1998.
0.11 Philippe Sers Jonathan P. Eburne, The Radical Avant-Garde and the Contemporary Avant-Garde, New Literary History, 2010.
0.11 Michael Holzman, The Pigs of Chapultepec Park, boundary 2, 1980.
0.11 James Elkins, Art History without Theory, Critical Inquiry, 1988.
0.11 Gunther S. Stent Leonard B. Meyer, On Art and Science: A Reply to Leonard B Meyer, Critical Inquiry, 1975.
0.11 Emily Hicks Olivas, William Carlos Williams at the Whitney: The Search for the Lost Object, Social Text, 1979.
0.11 Lillian S. Robinson Lise Vogel, Modernism and History, New Literary History, 1971.
0.11 Eugene Y. Wang, The Winking Owl: Visual Effect and Its Art Historical Thick Description, Critical Inquiry, 2000.
0.11 Erwin Panofsky, Reflections on Historical Time, Critical Inquiry, 2004.
0.11 Ernst Gombrich Hayden White Allen W. Wood Theodore M. Brown David I. Grossvogel Robert Matthews, Interview: Ernst Gombrich, Diacritics, 1971.
0.11 Robert Morris, Professional Rules, Critical Inquiry, 1997.
0.10 Hal Foster, "Primitive" Scenes, Critical Inquiry, 1993.
0.10 Martin Stevens, The Intertextuality of Late Medieval Art and Drama, New Literary History, 1991.
0.10 Philip Armstrong, "G Caillebotte" 's The Floor-Scrapers and Art History's Encyclopedic Memory, boundary 2, 1989.
0.10 James F. Knapp, Primitivism and the Modern, boundary 2, 1986.
0.10 Barbara Hoffman, Law for Art's Sake in the Public Realm, Critical Inquiry, 1991.
0.10 Michael Baxandall, The Language of Art History, New Literary History, 1979.
0.10 Jean Seznec, Art and Literature: A Plea for Humility, New Literary History, 1972.
0.10 George Rochberg, Kramer vs Kramer, Critical Inquiry, 1985.
0.10 Didier Maleuvre, David Painting Death, Diacritics, 2000.
0.10 Ronald Paulson, Versions of a Human Sublime, New Literary History, 1985.
0.10 O. K. Werckmeister, Hitler the Artist, Critical Inquiry, 1997.
0.10 Charles Altieri, Where Can Aesthetics Go?, New Literary History, 2011.