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0.43 Gerald Mast, On Framing, Critical Inquiry, 1984.
0.36 Peter Havholm Philip Sandifer, Critical Response I Corporate Authorship: A Response to Jerome Christensen, Critical Inquiry, 2003.
0.33 Robert L. Carringer, Orson Welles and Gregg Toland: Their Collaboration on "Citizen Kane", Critical Inquiry, 1982.
0.30 Gerald Mast, Kracauer's Two Tendencies and the Early History of Film Narrative, Critical Inquiry, 1980.
0.27 Gerald Mast, What Isn't Cinema?, Critical Inquiry, 1974.
0.27 Jonathan Auerbach, Chasing Film Narrative: Repetition Recursion and the Body in Early Cinema, Critical Inquiry, 2000.
0.26 Robert L. Carringer, The Scripts of "Citizen Kane", Critical Inquiry, 1978.
0.25 Linda Williams, Of Kisses and Ellipses: The Long Adolescence of American Movies, Critical Inquiry, 2006.
0.25 Yuri Tsivian, “What Is Cinema?” An Agnostic Answer, Critical Inquiry, 2008.
0.24 Arnold Krupat, Atanarjuat the Fast Runner and Its Audiences, Critical Inquiry, 2007.
0.24 David L. Vierling, Bergman's Persona: The Metaphysics of Meta-Cinema, Diacritics, 1974.
0.24 Daniel Morgan, Max Ophuls and the Limits of Virtuosity: On the Aesthetics and Ethics of Camera Movement, Critical Inquiry, 2011.
0.23 Christian Metz Françoise Meltzer, "Trucage" and the Film, Critical Inquiry, 1977.
0.22 Richard Neer, Godard Counts, Critical Inquiry, 2007.
0.22 Daniel Morgan, Rethinking Bazin: Ontology and Realist Aesthetics, Critical Inquiry, 2006.
0.22 Alfred Guzzetti, The Role of Theory in Films and Novels, New Literary History, 1972.
0.22 Laikwan Pang, Copying Kill Bill, Social Text, 2005.
0.22 Joshua Landy, Still Life in a Narrative Age: Charlie Kaufman's Adaptation, Critical Inquiry, 2011.
0.21 Jay Boyer, Is Hollywood Being Put Out of Business?, Social Text, 1984.
0.21 Elizabeth Abel, Double Take: Photography Cinema and the Segregated Theater, Critical Inquiry, 2008.
0.20 Charles Vandersee, Civilian, boundary 2, 1977.
0.20 Lesley Stern, Paths That Wind through the Thicket of Things, Critical Inquiry, 2001.
0.20 Alfred Guzzetti, Narrative and the Film Image, New Literary History, 1975.
0.19 Betsy Erkkila, Greta Garbo: Sailing beyond the Frame, Critical Inquiry, 1985.
0.19 Maeve Connolly, Sighting an Irish Avant-Garde in the Intersection of Local and International Film Cultures, boundary 2, 2004.
0.19 Chris Dumas, The Žižekian Thing: A Disciplinary Blind Spot, Critical Inquiry, 2011.
0.19 Robert B. Pippin, Agency and Fate in Orson Welles's The Lady from Shanghai, Critical Inquiry, 2011.
0.19 R. John Williams, Global English Ideography and the Dissolve Translation in Hollywood Film, Cultural Critique, 2009.
0.18 Jacqueline Stewart, Negroes Laughing at Themselves? Black Spectatorship and the Performance of Urban Modernity, Critical Inquiry, 2003.
0.18 Elizabeth Abel, Double Take: Photography Cinema and the Segregated Theater, Critical Inquiry, 2008.
0.18 Kimball Lockhart, Blockage and Passage in The Passenger, Diacritics, 1985.
0.18 Dana B. Polan, "Above All Else to Make You See": Cinema and the Ideology of Spectacle, boundary 2, 1982.
0.18 Mark Garrett Cooper, Love Danger and the Professional Ideology of Hollywood Cinema, Cultural Critique, 1998.
0.18 Jerome Christensen, Critical Response II Taking It to the Next Level: You’ve Got Mail Havholm and Sandifer, Critical Inquiry, 2003.
0.18 Bill Nichols, Documentary Film and the Modernist Avant-Garde, Critical Inquiry, 2001.
0.17 Hannah Landecker, Cellular Features: Microcinematography and Film Theory, Critical Inquiry, 2005.
0.17 Rachel Gabara, Mixing Impossible Genres: David Achkar and African Autobiographical Documentary, New Literary History, 2003.
0.17 D. A. Miller, Hitchcock's Hidden Pictures, Critical Inquiry, 2010.
0.17 Dudley Andrew, The Core and the Flow of Film Studies, Critical Inquiry, 2009.
0.17 Jeremi Szaniawski, Interview with Aleksandr Sokurov, Critical Inquiry, 2006.
0.16 Miriam Hansen, "With Skin and Hair": Kracauer's Theory of Film Marseille 1940. Critical Inquiry, 1993,
0.16 Alfred Guzzetti, Notes on Representation and the Nonfiction Film, New Literary History, 1996.
0.16 Stanley Aronowitz, Film: The Art Form of Late Capitalism, Social Text, 1979.
0.16 Jane M. Gaines, Everyday Strangeness: Robert Ripley's International Oddities as Documentary Attractions, New Literary History, 2002.
0.15 Nora M. Alter, Excessive Pre/Requisites: Vietnam Through the East German Lens, Cultural Critique, 1996.
0.15 Stanley Cavell, North by Northwest, Critical Inquiry, 1981.
0.15 Strother Purdy, Reply to Lawrence W Hyman, Critical Inquiry, 1980.
0.15 Jerome Christensen, The Time Warner Conspiracy: JFK Batman and the Manager Theory of Hollywood Film, Critical Inquiry, 2002.
0.15 Jan Baetens, Novelization a Contaminated Genre?, Critical Inquiry, 2005.
0.15 Valentina Vitali, On the Frontal Subjects of the Hindi Melodrama: Notes for a Comparative Approach to Film, boundary 2, 2006.
0.14 Stanley Cavell, Ugly Duckling Funny Butterfly: Bette Davis and "Now Voyager", Critical Inquiry, 1990.
0.14 Robert L. Carringer, "Citizen Kane" "The Great Gatsby" and Some Conventions of American Narrative, Critical Inquiry, 1975.
0.14 Tina Mai Chen, Internationalism and Cultural Experience: Soviet Films and Popular Chinese Understandings of the Future in the 1950s, Cultural Critique, 2004.
0.14 Cynthia Willett, Baudrillard "After Hours" and the Postmodern Suppression of Socio-Sexual Conflict, Cultural Critique, 1996.
0.14 Stanley Cavell, On Makavejev on Bergman, Critical Inquiry, 1979.
0.14 Raymond Bellour, Analysis in Flames, Diacritics, 1985.
0.14 Garrett Stewart, Modern Hard Times: Chaplin and the Cinema of Self-Reflection, Critical Inquiry, 1976.
0.14 Jerome Sala, Poetry: What to Read: Variations on a Theme by Subaru, boundary 2, 1999.
0.14 Richard Herskowitz, The Shell Answer Man and the Spectator, Social Text, 1979.
0.14 Miriam Bratu Hansen, "Schindler's List" Is Not "Shoah": The Second Commandment Popular Modernism and Public Memory, Critical Inquiry, 1996.
0.14 Burlin Barr, Dependency Appetite and Iconographies of Hunger in Mambéty's Hyenas, Social Text, 2010.
0.14 Thomas M. Kavanagh, The Middle Voice of Film Narration, Diacritics, 1979.
0.14 Jonathan L. Beller, Dziga Vertov and the Film of Money, boundary 2, 1999.
0.13 Thomas M. Kavanagh, Godard-Gorin's "Tout va bien", Diacritics, 1974.
0.13 Michael Rogin, The Great Mother Domesticated: Sexual Difference and Sexual Indifference in D W Griffith's "Intolerance", Critical Inquiry, 1989.
0.13 Maureen Turim, Fictive Psyches: The Psychological Melodrama in 40s Films, boundary 2, 1984.
0.13 Carol J. Clover, Dancin' in the Rain, Critical Inquiry, 1995.
0.13 Rosalind C. Morris, Style Tsotsi-style and Tsotsitaal: The Histories Aesthetics and Politics of a South African Figure, Social Text, 2010.
0.13 Marcia Landy, "The Dream of the Gesture": The Body of/in Todd Haynes's Films, boundary 2, 2003.
0.13 Mitsuhiro Yoshimoto, The Difficulty of being Radical: The Discipline of Film Studies and the Postcolonial World Order, boundary 2, 1991.
0.13 Elisabeth Bronfen, Femme Fatale: Negotiations of Tragic Desire, New Literary History, 2004.
0.13 Dana Polan, The Critique of Cinematic Reason: Stephen Heath and the Theoretical Study of Film, boundary 2, 1985.
0.13 George E. Toles, Alfred Hitchcock's Rear Window as Critical Allegory, boundary 2, 1989.
0.12 Christian Metz Béatrice Durand-Sendrail Kristen Brookes, The Impersonal Enunciation or the Site of Film (In the Margin of Recent Works on Enunciation in Cinema), New Literary History, 1991.
0.12 Marcia Landy, "Which Way Is America?": Americanism and the Italian Western, boundary 2, 1996.
0.12 Norman M. Klein, Building Blade Runner, Social Text, 1991.
0.12 Garrett Stewart, "Cinécriture": Modernism's Flicker Effect, New Literary History, 1998.
0.12 Seymour Chatman, What Novels Can Do That Films Can't (And Vice Versa), Critical Inquiry, 1980.
0.12 Miriam Hansen, Traces of Transgression in Apocalypse Now, Social Text, 1980.
0.12 Laikwan Pang, Piracy/Privacy: The Despair of Cinema and Collectivity in China, boundary 2, 2004.
0.12 Robert B. Pippin, What Is a Western? Politics and Self-Knowledge in John Ford's The Searchers, Critical Inquiry, 2009.
0.12 Allen Thiher, Postmodern Dilemmas: Godard's Alphaville and Two or Three Things That I Know about Her, boundary 2, 1976.
0.12 Fredric Jameson, The Square Peg in the Round Hole or the History of Spaceflight, Critical Inquiry, 2008.
0.12 Caren Greenberg, Carnal Knowledge: A Woman Is Missing, Diacritics, 1975.
0.12 Adrián Pérez Melgosa, Cinematic Contact Zones: Hemispheric Romances in Film and the Construction and Reconstruction of Latin Americanism, Social Text, 2010.
0.12 Fredric Jameson, The Square Peg in the Round Hole or the History of Spaceflight, Critical Inquiry, 2008.
0.11 Michael Rogin, Blackface White Noise: The Jewish Jazz Singer Finds His Voice, Critical Inquiry, 1992.
0.11 Bill Nichols, Documentary Reenactment and the Fantasmatic Subject, Critical Inquiry, 2008.
0.11 Ruth Perlmutter, Joyce and Cinema, boundary 2, 1978.
0.11 Jonathan Kahana, The Reception of Politics: Publicity and Its Parasites, Social Text, 1999.
0.11 Deborah Knight, Reconsidering Film Theory and Method, New Literary History, 1993.
0.11 Robert J. Corber, Resisting History: Rear Window and the Limits of the Postwar Settlement, boundary 2, 1992.
0.11 Linda Schulte-Sasse, Leni Riefenstahl's Feature Films and the Question of a Fascist Aesthetic, Cultural Critique, 1991.
0.11 Fredric Jameson, History and Elegy in Sokurov, Critical Inquiry, 2006.
0.11 Timothy Murray, Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts, Cultural Critique, 2000.
0.11 Marcia Landy, The International Cast of Irish Cinema: The Case of Michael Collins, boundary 2, 2000.
0.11 Paul Hernadi, On the How What and Why of Narrative, Critical Inquiry, 1980.
0.11 Christian Metz Alfred Guzzetti, The Fiction Film and Its Spectator: A Metapsychological Study, New Literary History, 1976.
0.10 Jonathan L. Beller, The Spectatorship of the Proletariat, boundary 2, 1995.
0.10 Abigail Child, Blueprint for a Scenario (1), boundary 2, 1985.
0.10 James Goodwin, Eisenstein Ecstasy Joyce and Hebraism, Critical Inquiry, 2000.
0.10 Xiaoying Wang, "A Time to Remember": The Reinvention of the Communist Hero in Postcommunist China, New Literary History, 2003.
0.10 Gertrud Koch, Carnivore or Chameleon: The Fate of Cinema Studies, Critical Inquiry, 2009.
0.10 Joan Ramon Resina, Historical Discourse and the Propaganda Film: Reporting the Revolution in Barcelona, New Literary History, 1998.
0.10 Martin Lefebvre, On Memory and Imagination in the Cinema, New Literary History, 1999.
0.10 Rae Beth Gordon, From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema, Critical Inquiry, 2001.
0.10 Brian Larkin, National Allegory, Social Text, 2009.
0.10 Alfred Guzzetti, A Few Things for Themselves, New Literary History, 2008.
0.10 Kien Ket Lim, Of Mimicry and White Man: A Psychoanalysis of Jean Rouch's Les maîtres fous, Cultural Critique, 2002.