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0.27 John R. Searle, "Las Meninas" and the Paradoxes of Pictorial Representation, Critical Inquiry, 1980.
0.22 Richard Wollheim, Representation: The Philosophical Contribution to Psychology, Critical Inquiry, 1977.
0.22 W. J. T. Mitchell, What Is an Image?, New Literary History, 1984.
0.21 Felix Thürlemann Cheryl Spiese McKee, Fictionality in Mantegna's San Zeno Altarpiece Structures of Mimesis and the History of Painting, New Literary History, 1989.
0.21 Michel Rio Richard M. Berrong, Images and Words, New Literary History, 1976.
0.21 Louis Marin Marie Maclean, The Figurability of the Visual: The Veronica or the Question of the Portrait at Port-Royal, New Literary History, 1991.
0.20 Joel Snyder Ted Cohen, Reflexions on "Las Meninas": Paradox Lost, Critical Inquiry, 1980.
0.20 Joel Snyder, Picturing Vision, Critical Inquiry, 1980.
0.20 Gillian Cohen, Visual Imagery in Thought, New Literary History, 1976.
0.20 Hans Belting, Image Medium Body: A New Approach to Iconology, Critical Inquiry, 2005.
0.19 Marie‐José Mondzain, Can Images Kill?, Critical Inquiry, 2009.
0.18 James A. W. Heffernan, Ekphrasis and Representation, New Literary History, 1991.
0.18 Richard Stamelman, Critical Reflections: Poetry and Art Criticism in Ashbery's "Self-Portrait in a Convex Mirror", New Literary History, 1984.
0.17 Sarah Stanbury, Regimes of the Visual in Premodern England: Gaze Body and Chaucer's "Clerk's Tale", New Literary History, 1997.
0.16 William Conger Thierry de Duve, Letters to the Editor, Critical Inquiry, 1999.
0.16 Jean-François Lyotard Mark S. Roberts, Plastic Space and Political Space, boundary 2, 1985.
0.16 Stephen Paul Miller, "Self-Portrait in a Convex Mirror" the Watergate Affair and Johns's Crosshatch Paintings: Surveillance and Reality-Testing in the Mid-Seventies, boundary 2, 1993.
0.16 Mark B. N. Hansen, Seeing with the Body: The Digital Image in Postphotography, Diacritics, 2001.
0.15 Joel Snyder, "Las Meninas" and the Mirror of the Prince, Critical Inquiry, 1985.
0.15 Peter Schwenger, Corpsing the Image, Critical Inquiry, 2000.
0.15 Thierry de Duve Brian Holmes, How Manet's "A Bar at the Folies-Bergère" Is Constructed, Critical Inquiry, 1998.
0.15 Sarah Demeuse, "Ponte aquí al lado": Ekphrasis and Deception in Ana Rossetti's and José Duarte's "Simparidades", Cultural Critique, 2009.
0.15 Mieke Bal, De-Disciplining the Eye, Critical Inquiry, 1990.
0.14 Murray Krieger, The Ambiguities of Representation and Illusion: An E H Gombrich Retrospective, Critical Inquiry, 1984.
0.14 Richard Rushton, What Can a Face Do?: On Deleuze and Faces, Cultural Critique, 2002.
0.13 Murray Krieger, Optics and Aesthetic Perception: A Rebuttal, Critical Inquiry, 1985.
0.13 Thierry de Duve, Intuition Logic Intuition, Critical Inquiry, 1998.
0.13 W. J. T. Mitchell, Wittgenstein's Imagery and What It Tells Us, New Literary History, 1988.
0.13 Louis Marin Lionel Duisit, The Iconic Text and the Theory of Enunciation: Luca Signorelli at Loreto (Circa 1479-1484), New Literary History, 1983.
0.13 Menachem Brinker, Verisimilitude Conventions and Beliefs, New Literary History, 1983.
0.13 Ernest B. Gilman, Word and Image in Quarles' "Emblemes", Critical Inquiry, 1980.
0.12 Eli Friedlander, La Jetée: Regarding the Gaze, boundary 2, 2001.
0.12 Fred Wah, [This Is a Hard Language to Work Out], boundary 2, 1974.
0.12 Nelson Goodman, Realism Relativism and Reality, New Literary History, 1983.
0.11 Tom C. Conley, Images of Regression, New Literary History, 1984.
0.11 John T. Irwin, Self-Evidence and Self-Reference: Nietzsche and Tragedy Whitman and Opera, New Literary History, 1979.
0.11 Roger Scruton, Photography and Representation, Critical Inquiry, 1981.
0.11 Ming Dong Gu, Mimetic Theory in Chinese Literary Thought, New Literary History, 2005.
0.11 Harold Scheub, Body and Image in Oral Narrative Performance, New Literary History, 1977.
0.11 James T. Siegel, Georg Simmel Reappears: "The Aesthetic Significance of the Face", Diacritics, 1999.
0.11 Craig Saper, A Nervous Theory: The Troubling Gaze of Psychoanalysis in Media Studies, Diacritics, 1991.
0.11 Bruno Chaouat, In the Image of Auschwitz, Diacritics, 2006.
0.11 Michael Riffaterre, Intertextual Representation: On Mimesis as Interpretive Discourse, Critical Inquiry, 1984.
0.11 Wu Hung, The Painted Screen, Critical Inquiry, 1996.
0.11 Ryan Bishop John Phillips, Sighted Weapons and Modernist Opacity: Aesthetics Poetics Prosthetics, boundary 2, 2002.
0.11 Régis Debray Eric Rauth, The Three Ages of Looking, Critical Inquiry, 1995.
0.11 Stanley Meltzoff, Rhetoric Semiotics and Linguistics Look at the Strolling Actresses of Hogarth, New Literary History, 1978.
0.11 , Errata: Poetic Presence and Illusion II: Formalist Theory and the Duplicity of Metaphor, boundary 2, 1980.
0.10 Diana Fuss, Fashion and the Homospectatorial Look, Critical Inquiry, 1992.
0.10 Marie-Hélène Huet, Monstrous Imagination: Progeny as Art in French Classicism, Critical Inquiry, 1991.
0.10 Arnold I. Davidson, Miracles of Bodily Transformation or How St Francis Received the Stigmata, Critical Inquiry, 2009.
0.10 Luiz Costa Lima J. Laurenio de Mello, Social Representation and Mimesis, New Literary History, 1985.
0.10 Martin Sorbille, Argentine Military Terrorism (1976-1983): Insatiable Desire Disappearances and Eruption of the Traumatic Gaze-Real in Alejandro Agresti's Film "Buenos Aires Viceversa" (1996), Cultural Critique, 2008.
0.10 Alfred Guzzetti, Narrative and the Film Image, New Literary History, 1975.
0.10 Robert Weimann, Text Author-Function and Appropriation in Modern Narrative: Toward a Sociology of Representation, Critical Inquiry, 1988.