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0.25 Chris Danta, "Like a Dog like a Lamb": Becoming Sacrificial Animal in Kafka and Coetzee, New Literary History, 2007.
0.25 David Ignatow, Now Celebrate Life and Death Croatian Guerrillas Executed in Yugoslavia - News Report, boundary 2, 1974.
0.22 Henry Staten, Conrad's Mortal Word, Critical Inquiry, 1986.
0.21 Diana Fuss, Corpse Poem, Critical Inquiry, 2003.
0.21 Alphonso Lingis, To Die with Others, Diacritics, 2000.
0.20 Sarah Juliet Lauro Karen Embry, A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism, boundary 2, 2008.
0.20 Lydia Davis, The Dog Man, boundary 2, 1985.
0.20 René Girard Yvonne Freccero, Work in Progress, Diacritics, 1972.
0.19 Carla Freccero, Carnivorous Virility; or Becoming-Dog, Social Text, 2011.
0.18 Allan Stoekl, Hugo's "Le dernier jour d'un condamné": The End as Contamination, Diacritics, 2000.
0.18 bp Nichol, [All in a Night I am Taken], boundary 2, 1974.
0.18 Philip Dow, Dying, boundary 2, 1975.
0.17 James A. W. Heffernan, Looking at the Monster: "Frankenstein" and Film, Critical Inquiry, 1997.
0.17 Garrett Stewart, Coppola's Conrad: The Repetitions of Complicity, Critical Inquiry, 1981.
0.16 Joyce Carol Oates, Frankenstein's Fallen Angel, Critical Inquiry, 1984.
0.16 Cary Wolfe Jonathan Elmer, Subject to Sacrifice: Ideology Psychoanalysis and the Discourse of Species in Jonathan Demme's Silence of the Lambs, boundary 2, 1995.
0.15 Jonathan Strauss, Preface: The State of Death, Diacritics, 2000.
0.15 Marta Segarra, Hélène Cixous's Other Animal: The Half-Sunken Dog, New Literary History, 2006.
0.15 Jonathan Lamb, Modern Metamorphoses and Disgraceful Tales, Critical Inquiry, 2001.
0.15 Karen Piper, The Signifying Corpse: Re-Reading Kristeva on Marguerite Duras, Cultural Critique, 1995.
0.15 René Girard, Scandal and the Dance: Salome in the Gospel of Mark, New Literary History, 1984.
0.14 David Bromige, Being a Body, boundary 2, 1974.
0.14 Patrick Lane, Thirty Below, boundary 2, 1974.
0.14 Jacques Derrida David Wills, The Animal That Therefore I Am (More to Follow), Critical Inquiry, 2002.
0.14 Arthur C. Danto, Theology as a Hermeneutical Salvaging of History: Commentary, New Literary History, 1986.
0.14 Manfred Mackenzie, Hawthorne's "Roger Malvin's Burial": A Postcolonial Reading, New Literary History, 1996.
0.14 Monika Fludernik, Suttee Revisited: From the Iconography of Martyrdom to the Burkean Sublime, New Literary History, 1999.
0.14 Allen Feldman, With Ice in Their Ears, Social Text, 2008.
0.14 Armand Schwerner, Blood, boundary 2, 1976.
0.13 Kirby Farrell, The Berserk Style in American Culture, Cultural Critique, 2000.
0.13 Peter Brooks, Godlike Science/Unhallowed Arts: Language and Monstrosity in Frankenstein, New Literary History, 1978.
0.13 Cecilia Vicuña, [UR gent], boundary 2, 1999.
0.13 Joe Rosenblatt, The Ant Trap, boundary 2, 1974.
0.13 Cesareo Bandera, Conflictive versus Cooperative Mimesis: A Reply to Ciriaco Morón-Arroyo, Diacritics, 1979.
0.13 Andrew Hudgins L. M. Rosenberg, A Rapproachement with Death, boundary 2, 1981.
0.13 Michael Taussig, The Language of Flowers, Critical Inquiry, 2003.
0.13 Didier Maleuvre, David Painting Death, Diacritics, 2000.
0.13 Nikos Karouzos Philip Ramp Katerina Angelaki-Rooke, All Life Is a Doctrine I Think, boundary 2, 1973.
0.13 Jonathan Strauss, After Death, Diacritics, 2000.
0.13 Charles Hirschkind, Cultures of Death: Media Religion Bioethics, Social Text, 2008.
0.13 Pat Lowther, To a Woman Who Died of 34 Stab Wounds, boundary 2, 1974.
0.12 Marcel Detienne Anne Doueihi, Apollo's Slaughterhouse, Diacritics, 1986.
0.12 Robert Creeley, Love, boundary 2, 1978.
0.12 Gananath Obeyesekere, "British Cannibals": Contemplation of an Event in the Death and Resurrection of James Cook Explorer, Critical Inquiry, 1992.
0.12 Elizabeth Susan Anker, "Elizabeth Costello" Embodiment and the Limits of Rights, New Literary History, 2011.
0.12 Octavio Armand Carol Maier, Size of the World / Tamaño de mundo, boundary 2, 1982.
0.12 Andrzej Warminski, Facing Language: Wordsworth's First Poetic Spirits, Diacritics, 1987.
0.12 Stuart Mac Kinnon, Exposure: An Elegy, boundary 2, 1974.
0.12 Françoise Meltzer, A Response to René Girard's Reading of Salome, New Literary History, 1984.
0.12 Wendy Rose, December 1890-1990. boundary 2, 1992,
0.11 Rodrigo Parrini, Bodyscapes: Globalization Corporeal Politics and Violence in Mexico, Social Text, 2010.
0.11 Robert Duncan Denise Levertov, Kindness, boundary 2, 1978.
0.11 Peter Schwenger, Corpsing the Image, Critical Inquiry, 2000.
0.11 Tzachi Zamir, Wooden Subjects, New Literary History, 2008.
0.11 Ciriaco Morón-Arroyo, On Cervantes and Calderon A Repl(a)y, Diacritics, 1979.
0.11 Cary Wolfe, Fathers Lovers and Friend Killers: Rearticulating Gender and Race via Species in Hemingway, boundary 2, 2002.
0.11 Mark Porteus L. M. Rosenberg, Untitled, boundary 2, 1981.
0.11 Christopher Peterson, The Aping Apes of Poe and Wright: Race Animality and Mimicry in "The Murders in the Rue Morgue" and Native Son, New Literary History, 2010.
0.11 Stephen Greenblatt, A Response to Suzanne Gearhart, New Literary History, 1997.
0.11 Tzachi Zamir, Talking Trees, New Literary History, 2011.
0.11 Richard Grossman, Humanity, boundary 2, 1982.
0.11 Milton Kessler, O Bells! O Never Opened Ones!, boundary 2, 1975.
0.11 Judith Halberstam, Imagined Violence/Queer Violence: Representation Rage and Resistance, Social Text, 1993.
0.11 Brian Fawcett, [The Manner of His Death There], boundary 2, 1974.
0.11 David Ignatow, Proem, boundary 2, 1983.
0.10 Laura E. Tanner, Sweet Pain and Charred Bodies: Figuring Violence in The White Hotel, boundary 2, 1991.
0.10 René Girard, Lévi-Strauss Frye Derrida and Shakespearean Criticism, Diacritics, 1973.
0.10 Allen Feldman, The Gnat and the Sovereign, Social Text, 2008.
0.10 Hélène Cixous, Jacques Derrida as a Proteus Unbound, Critical Inquiry, 2007.
0.10 Eric Stanley, Near Life Queer Death: Overkill and Ontological Capture, Social Text, 2011.
0.10 René Girard Sandor Goodhart, Dionysus and the Violent Genesis of the Sacred, boundary 2, 1977.
0.10 David Ignatow, For, boundary 2, 1974.
0.10 David Ignatow, For John Berryman, boundary 2, 1974.