fig photography photograph photographs figure photographic museum portrait picture objects visual pictures image images camera object medium display portraits

0.58 , Lynn Swigart: A Photographic Essay, boundary 2, 1976.
0.51 Donald Bell, As Canadian as Flying, boundary 2, 1974.
0.51 Ronald Polesnak, A Portfolio of Drawings and Prints, boundary 2, 1982.
0.44 Charles Hewitt, A Portfolio of Paintings, boundary 2, 1980.
0.39 Paul Russotto, A Portfolio of Drawings and Collage, boundary 2, 1985.
0.33 James Ekins, Critical ResponseWhat Do We Want Photography to Be? A Response to Michael Fried, Critical Inquiry, 2005.
0.32 Edwin Martin, On Seeing Walton's Great-Grandfather, Critical Inquiry, 1986.
0.31 Ana Hatherly, On Baroque Typography, boundary 2, 1999.
0.29 Kendall L. Walton, Transparent Pictures: On the Nature of Photographic Realism, Critical Inquiry, 1984.
0.29 Leon Golub, A Portfolio of Paintings by: Leon Golub, boundary 2, 1982.
0.28 Donald Bell, Donald Bell: Transparencies, boundary 2, 1975.
0.28 Susan Laxton, As Photography: Mechanicity Contingency and Other-Determination in Gerhard Richter's Overpainted Snapshots, Critical Inquiry, 2012.
0.27 Margaret Iversen, Analogue: On Zoe Leonard and Tacita Dean, Critical Inquiry, 2012.
0.27 Christina Kiaer, The Russian Constructivist Flapper Dress, Critical Inquiry, 2001.
0.27 Carol Armstrong, Automatism and Agency Intertwined: A Spectrum of Photographic Intentionality, Critical Inquiry, 2012.
0.27 Michael Fried, Barthes's Punctum, Critical Inquiry, 2005.
0.27 Douglas Kinsey, After the Fall: A Series of Monotypes by: Douglas Kinsey, boundary 2, 1983.
0.27 Joel Snyder Neil Walsh Allen, Photography Vision and Representation, Critical Inquiry, 1975.
0.26 , Coupling, Critical Inquiry, 1998.
0.26 , A Portfolio of Portraits, boundary 2, 1980.
0.26 Michael Camille, The "Très Riches Heures": An Illuminated Manuscript in the Age of Mechanical Reproduction, Critical Inquiry, 1990.
0.25 Nancy Gonchar, A Portfolio of Photo-Collage, boundary 2, 1984.
0.25 Dominic McIver Lopes, Afterword: Photography and the “Picturesque Agent”, Critical Inquiry, 2012.
0.25 Fran Herndon, The Heads of the Town up to the Aether Jack Spicer, boundary 2, 1977.
0.24 Kendall L. Walton, Looking Again through Photographs: A Response to Edwin Martin, Critical Inquiry, 1986.
0.22 James Elkins, Marks Traces "Traits" Contours "Orli" and "Splendores": Nonsemiotic Elements in Pictures, Critical Inquiry, 1995.
0.22 Douglas Kent Hall, Douglas Kent Hall: A Portfolio of Photographs, boundary 2, 1982.
0.22 Diarmuid Costello Margaret Iversen, Introduction: Photography between Art History and Philosophy, Critical Inquiry, 2012.
0.21 Donald Bell, Heidegger: A Photographic Essay, boundary 2, 1976.
0.21 Robert Creeley, Reflections, boundary 2, 1978.
0.21 Susette Min, Tonal Disturbances: Works on Paper by Jenny Perlin and Visible Collective, Social Text, 2008.
0.21 Michael Fried, Jeff Wall Wittgenstein and the Everyday, Critical Inquiry, 2007.
0.21 Rudolf Arnheim, On the Nature of Photography, Critical Inquiry, 1974.
0.20 A. Tassos W. V. Spanos Antonis Kiriakoulis, Drawings Sequence, boundary 2, 1973.
0.20 David Hare, Works by David Hare, boundary 2, 1985.
0.20 Meir Wigoder, The Acrobatic Gaze and the Pensive Image in Palestinian Morgue Photography, Critical Inquiry, 2012.
0.19 Meg Armstrong, "A Jumble of Foreignness": The Sublime Musayums of Nineteenth-Century Fairs and Expositions, Cultural Critique, 1992.
0.19 Charity Scribner, Object Relic Fetish Thing: Joseph Beuys and the Museum, Critical Inquiry, 2003.
0.18 Bakirathi Mani, Archives of Empire: Seher Shah's Geometric Landscapes and the Spectacle of Force, Social Text, 2011.
0.18 James A. W. Heffernan, Critical Response

Staging Absorption and Transmuting the Everyday: A Response to Michael Fried, Critical Inquiry, 2008.
0.18 Patrick Maynard, Arts Agents Artifacts: Photography's Automatisms, Critical Inquiry, 2012.
0.18 Fina García Marruz, To the Statue of Liberty, boundary 2, 2002.
0.18 Samuel Jay Keyser, There Is Method in Their Adness: The Formal Structure of Advertisement, New Literary History, 1983.
0.17 Diarmuid Costello, Automat Automatic Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts, Critical Inquiry, 2012.
0.17 James Elkins, What Do We Want Pictures to Be? Reply to Mieke Bal, Critical Inquiry, 1996.
0.17 Sidney R. Nagel, Shadows and Ephemera, Critical Inquiry, 2001.
0.17 James Marrow Jim Stark, Jim Stark: Sculpture, boundary 2, 1976.
0.17 Michael Sundell, Golden Immigrants at the Gold Door: Lewis Hine's Photographs of Ellis Island, Social Text, 1986.
0.16 Spencer Selby, From Problem Pictures, boundary 2, 1999.
0.16 Rosalind E. Krauss, Reinventing the Medium, Critical Inquiry, 1999.
0.16 Adélékè Adéè̇ó, From Orality to Visuality: Panegyric and Photography in Contemporary Lagos Nigeria, Critical Inquiry, 2012.
0.16 Garrett Stewart, II

Book Quirks, Critical Inquiry, 2011.
0.16 Bill Brown, Objects Others and Us (The Refabrication of Things), Critical Inquiry, 2010.
0.16 Naomi Schor, "Cartes Postales": Representing Paris 1900. Critical Inquiry, 1992,
0.16 Mieke Bal, Telling Showing Showing off, Critical Inquiry, 1992.
0.15 Paul K. Alkon, Visual Rhetoric in "The Autobiography of Alice B Toklas", Critical Inquiry, 1975.
0.15 Peter Jones, Museums and the Meanings of Their Contents, New Literary History, 1992.
0.15 Alexandr Bubnov, Tolpe Teplo (Crowd/Warmth), boundary 2, 1999.
0.15 E. H. Gombrich, Standards of Truth: The Arrested Image and the Moving Eye, Critical Inquiry, 1980.
0.15 Joel Snyder, Picturing Vision, Critical Inquiry, 1980.
0.15 Garrett Stewart, Bookwork as Demediation, Critical Inquiry, 2010.
0.14 Charles Harrison, Art & Language Paints a Landscape, Critical Inquiry, 1995.
0.14 Marina Pérez de Mendiola, Mexican Contemporary Photography: Staging Ethnicity and Citizenship, boundary 2, 2004.
0.14 Michael Fried, Between Realisms: From Derrida to Manet, Critical Inquiry, 1994.
0.14 Siegfried Kracauer Thomas Y. Levin, Photography, Critical Inquiry, 1993.
0.14 Robin Bernstein, Dances with Things: Material Culture and the Performance of Race, Social Text, 2009.
0.13 Pablo Picasso William V. Spanos, Paintings from the Festival of Avignon, boundary 2, 1975.
0.13 Michael Fried, III A Self-Correction, Critical Inquiry, 2008.
0.13 Carlo Ginzburg, Family Resemblances and Family Trees: Two Cognitive Metaphors, Critical Inquiry, 2004.
0.13 Robert S. Nelson, The Slide Lecture or the Work of Art "History" in the Age of Mechanical Reproduction, Critical Inquiry, 2000.
0.13 Diarmuid Costello, On the Very Idea of a ‘Specific’ Medium: Michael Fried and Stanley Cavell on Painting and Photography as Arts, Critical Inquiry, 2008.
0.13 Elizabeth Abel, Bathroom Doors and Drinking Fountains: Jim Crow's Racial Symbolic, Critical Inquiry, 1999.
0.13 Patricia Spyer, Blind Faith: Painting Christianity in Postconflict Ambon, Social Text, 2008.
0.13 Anne Hollander, The Clothed Image: Picture and Performance, New Literary History, 1971.
0.13 Patricia Sloane, Form and Painting: A Subjective Communique, New Literary History, 1971.
0.13 Roger Scruton, Photography and Representation, Critical Inquiry, 1981.
0.13 Wu Hung, The Painted Screen, Critical Inquiry, 1996.
0.12 Nicholas Thoburn, Communist Objects and the Values of Printed Matter, Social Text, 2010.
0.12 Bob Cobbing, From Domestic Ambient Noise, boundary 2, 1999.
0.12 Stanley Meltzoff, Rhetoric Semiotics and Linguistics Look at the Strolling Actresses of Hogarth, New Literary History, 1978.
0.12 Tina M. Campt, Family Matters: Diaspora Difference and the Visual Archive, Social Text, 2009.
0.12 Michael Oletta, Michael Oletta on His Art: [Photographs], boundary 2, 1995.
0.12 Peter Schwenger, Writing Hypnagogia, Critical Inquiry, 2008.
0.12 Peter Schwenger, Corpsing the Image, Critical Inquiry, 2000.
0.12 Elizabeth Abel, Double Take: Photography Cinema and the Segregated Theater, Critical Inquiry, 2008.
0.12 Lynn A. Casmier-Paz, Slave Narratives and the Rhetoric of Author Portraiture, New Literary History, 2003.
0.12 Naomi Schor, Pensive Texts and Thinking Statues: Balzac with Rodin, Critical Inquiry, 2001.
0.12 Suzanne Anker Sarah Franklin, Specimens as Spectacles: Reframing Fetal Remains, Social Text, 2011.
0.12 Marco Celotti, A Portfolio of Works by Marco Celotti, boundary 2, 1986.
0.12 Diana Fuss, Fashion and the Homospectatorial Look, Critical Inquiry, 1992.
0.12 Robert Morris, Professional Rules, Critical Inquiry, 1997.
0.12 Ulla Haselstein, Gertrude Stein's Portraits of Matisse and Picasso, New Literary History, 2003.
0.11 Hiram W. Woodward_ Jr., Acquisition, Critical Inquiry, 1979.
0.11 Yannis Ritsos N. C. Germanacos, Right to the End, boundary 2, 1973.
0.11 Pete Spence, [Untitled], boundary 2, 1999.
0.11 Elizabeth Abel, Double Take: Photography Cinema and the Segregated Theater, Critical Inquiry, 2008.
0.11 Aubrey Schwartz Matthew Corrigan, Aubrey Schwartz: Art Work, boundary 2, 1974.
0.11 Eduardo Cadava, Words of Light: Theses on the Photography of History, Diacritics, 1992.
0.11 J. Hillis Miller, What Do Stories about Pictures Want?, Critical Inquiry, 2008.
0.11 Mary Ann Doane, Temporality Storage Legibility: Freud Marey and the Cinema, Critical Inquiry, 1996.
0.11 Steve McCaffery, [Aaaaaaaaaaaaaaaaaaa], boundary 2, 1999.
0.11 , Erratum: The (Non)World (Non)View of Quantum Mechanics, New Literary History, 1993.
0.11 Zahid Chaudhary, Phantasmagoric Aesthetics: Colonial Violenca and the Management of Perception, Cultural Critique, 2005.
0.11 Wright Morris, The Camera Eye, Critical Inquiry, 1981.
0.11 J. Hillis Miller, What Do Stories about Pictures Want?, Critical Inquiry, 2008.
0.10 Peter Stallybrass Ann Rosalind Jones, Fetishizing the Glove in Renaissance Europe, Critical Inquiry, 2001.
0.10 Claud Duverlie Claude Simon J. Rodgers, Interview: Claude Simon: The Crossing of the Image, Diacritics, 1977.
0.10 Garry Wills, Washington's Citizen Virtue: Greenough and Houdon, Critical Inquiry, 1984.
0.10 Brigid Doherty, "See: "We Are All Neurasthenics"!" or the Trauma of Dada Montage, Critical Inquiry, 1997.