poem romantic poetry poet wordsworth poetic milton poems coleridge william mind nature yeats paradise poets blake thy shelley bloom

0.35 Harold Bloom, Coleridge: The Anxiety of Influence, Diacritics, 1972.
0.29 John Keats, Ode to Psyche, Diacritics, 1976.
0.27 Adriana Craciun, Romantic Satanism and the Rise of Nineteenth-Century Women's Poetry, New Literary History, 2003.
0.27 Harold Bloom, Clinamen or Poetic Misprision, New Literary History, 1972.
0.25 Dorothy Mermin, The Damsel the Knight and the Victorian Woman Poet, Critical Inquiry, 1986.
0.25 Bruce Lawder Coleridge Wordsworth, Secret(ing) Conversations: Coleridge and Wordsworth, New Literary History, 2001.
0.24 James K. Chandler, Romantic Allusiveness, Critical Inquiry, 1982.
0.24 Jonathan Arac, Repetition and Exclusion: Coleridge and New Criticism Reconsidered, boundary 2, 1979.
0.24 James Soderholm, Dorothy Wordsworth's Return to Tintern Abbey, New Literary History, 1995.
0.22 Jonathan Culler, Apostrophe, Diacritics, 1977.
0.22 Maureen N. McLane, The Figure Minstrelsy Makes: Poetry and Historicity, Critical Inquiry, 2003.
0.21 Geoffrey H. Hartman, The Use and Abuse of Structural Analysis: Riffaterre's Interpretation of Wordsworth's "Yew-Trees", New Literary History, 1975.
0.21 Reeve Parker, Finishing off "Michael": Poetic and Critical Enclosures, Diacritics, 1987.
0.21 Neil Forsyth, ‘Lycidas': A Wolf in Saint's Clothing, Critical Inquiry, 2009.
0.21 James Chandler, The Pope Controversy: Romantic Poetics and the English Canon, Critical Inquiry, 1984.
0.21 W. K. Wimsatt, Imitation as Freedom 1717-1798. New Literary History, 1970,
0.21 John Rieder, Description of a Struggle: Shelley's Radicalism on Wordsworth's Terrain, boundary 2, 1985.
0.20 David Simpson, Criticism Politics and Style in Wordsworth's Poetry, Critical Inquiry, 1984.
0.20 Robert Langbaum, The Epiphanic Mode in Wordsworth and Modern Literature, New Literary History, 1983.
0.20 Susan Fox, The Female as Metaphor in William Blake's Poetry, Critical Inquiry, 1977.
0.19 Homer Obed Brown, The Art of Theology and the Theology of Art: Robert Penn Warren's Reading of Coleridge's The Rime of the Ancient Mariner, boundary 2, 1979.
0.19 Herbert F. Tucker, House Arrest: The Domestication of English Poetry in the 1820s, New Literary History, 1994.
0.19 Nannette Altevers, The Revisionary Company: Harold Bloom's "Last Romanticism", New Literary History, 1992.
0.19 Jerome J. McGann, The Meaning of the Ancient Mariner, Critical Inquiry, 1981.
0.18 Denise Gigante, Milton's Aesthetics of Eating, Diacritics, 2000.
0.18 Harold Bloom, Antithetical Criticism: An Introduction, Diacritics, 1971.
0.18 Jonathan Arac, Bounding Lines: The Prelude and Critical Revision, boundary 2, 1979.
0.18 Jerome J. McGann, The Religious Poetry of Christina Rossetti, Critical Inquiry, 1983.
0.18 Lee Erickson, "Unboastful Bard": Originally Anonymous English Romantic Poetry Book Publication 1770-1835. New Literary History, 2002,
0.18 Cyrus Hamlin, The Hermeneutics of Form: Reading the Romantic Ode, boundary 2, 1979.
0.18 Jerome McGann, Beauty the Irreal and the Willing Assumption of Disbelief, Critical Inquiry, 2004.
0.17 Homer Brown, Creations and Destroyings: Keats's Protestant Hymn the "Ode to Psyche", Diacritics, 1976.
0.17 Herbert F. Tucker_ Jr., Browning's Lyric Intentions, Critical Inquiry, 1980.
0.17 Harold Bloom, Poetry Revisionism Repression, Critical Inquiry, 1975.
0.16 James Soderholm Jerome McGann, Byron and Romanticism: An Interview with Jerome McGann, New Literary History, 2001.
0.16 Geoffrey H. Hartman, Wordsworth and Goethe in Literary History, New Literary History, 1975.
0.16 Robert Langbaum, The Exteriority of Self in Yeats's Poetry and Thought, New Literary History, 1976.
0.16 Paul De Man, Time and History in Wordsworth, Diacritics, 1987.
0.16 Jerome Christensen, "Like a Guilty Thing Surprised": Deconstruction Coleridge and the Apostasy of Criticism, Critical Inquiry, 1986.
0.16 J. Hillis Miller, The Still Heart: Poetic Form in Wordsworth, New Literary History, 1971.
0.16 Susan Stewart, Lyric Possession, Critical Inquiry, 1995.
0.15 Barry Weller, The Epic as Pastoral: Milton Marvell and the Plurality of Genre, New Literary History, 1999.
0.15 Janel Mueller, The Mastery of Decorum: Politics as Poetry in Milton's Sonnets, Critical Inquiry, 1987.
0.15 Dustin Griffin, Milton and the Decline of Epic in the Eighteenth Century, New Literary History, 1982.
0.15 Jean H. Hagstrum, Eros and Psyche: Some Versions of Romantic Love and Delicacy, Critical Inquiry, 1977.
0.15 William Veeder, The Negative Oedipus: Father "Frankenstein" and the Shelleys, Critical Inquiry, 1986.
0.15 Daniel T. O'Hara, "The Designated Light": Irony in Emily Dickinson ("Dare You See a Soul at the White Heat?"), boundary 2, 1979.
0.15 Kurt Fosso, The Politics of Genre in Wordsworth's "Salisbury Plain", New Literary History, 1999.
0.15 Anselm Haverkamp, Mourning Becomes Melancholia A Muse Deconstructed: Keats's Ode on Melancholy, New Literary History, 1990.
0.14 Hazard Adams, Blake and the Philosophy of Literary Symbolism, New Literary History, 1973.
0.14 Lawrence Lipking, The Marginal Gloss, Critical Inquiry, 1977.
0.14 Thomas McFarland, Field Constellation and Aesthetic Object, New Literary History, 1982.
0.14 Cynthia Chase Andrzej Warminski, Wordsworth and the Production of Poetry: Introduction, Diacritics, 1987.
0.13 Jerome Rothenberg, Old Man Beaver's Blessing Song: From Seneca Journal 1: A Poem of Beavers, boundary 2, 1975.
0.13 Harold Bloom, Emerson and Ammons: A Coda, Diacritics, 1973.
0.13 Mark Jones, Recuperating Arnold: Romanticism and Modern Projects of Disinterestedness, boundary 2, 1991.
0.13 Jerome J. McGann, Formalism Savagery and Care; Or the Function of Criticism Once Again, Critical Inquiry, 1976.
0.13 Michael Timko, The Victorianism of Victorian Literature, New Literary History, 1975.
0.13 Alan Liu, Christopher Smart's "Uncommunicated Letters": Translation and the Ethics of Literary History, boundary 2, 1985.
0.13 William D. Melaney, Ambiguous Difference: Ethical Concern in Byron's "Manfred", New Literary History, 2005.
0.13 Robert Kaufman, Negatively Capable Dialectics: Keats Vendler Adorno and the Theory of the Avant-Garde, Critical Inquiry, 2001.
0.13 Steve Polansky, A Family Romance-Northrop Frye and Harold Bloom: A Study of Critical Influence, boundary 2, 1981.
0.13 Ernest B. Gilman, Word and Image in Quarles' "Emblemes", Critical Inquiry, 1980.
0.13 William Flesch, Quoting Poetry, Critical Inquiry, 1991.
0.12 John Boly, Auden as Literary Evolutionist: Wordsworth's Dream and the Fate of Romanticism, Diacritics, 1982.
0.12 Gerald L. Bruns, Allegory and Satire: A Rhetorical Meditation, New Literary History, 1979.
0.12 Geoffrey Ward, Dying to Write: Maurice Blanchot and Tennyson's "Tithonus", Critical Inquiry, 1986.
0.12 Cathy Caruth, "Unknown Causes": Poetic Effects, Diacritics, 1987.
0.12 Harold Bloom, Wallace Stevens: Reduction to the First Idea, Diacritics, 1976.
0.12 Rachel Trickett, The Difficulties of Defining and Categorizing in the Augustan Period, New Literary History, 1970.
0.12 Annabel Patterson, Couples Canons and the Uncouth: Spenser-and-Milton in Educational Theory, Critical Inquiry, 1990.
0.12 David Fite, Kenner/Bloom: Canonmaking and the Resources of Rhetoric, boundary 2, 1988.
0.12 W. David Shaw, Mimesis as Invention: Four Interpretative Models in Victorian Poetry, New Literary History, 1981.
0.11 Margaret Homans, Eliot Wordsworth and the Scenes of the Sisters' Instruction, Critical Inquiry, 1981.
0.11 Mark Jones, Alarmism Public-Sphere Performatives and the Lyric Turn: Or What Is "Fears in Solitude" Afraid Of?, boundary 2, 2003.
0.11 Howard S. Babb Jerrold E. Hogle, The Texture of the Self in Godwin's Things as They Are, boundary 2, 1979.
0.11 Daniel M. Fogel, Response, Diacritics, 1974.
0.11 Steven Shaviro, "Striving with Systems": Blake and the Politics of Difference, boundary 2, 1982.
0.11 Jerome McGann, Herbert Horne's "Diversi Colores" (1891): Incarnating the Religion of Beauty, New Literary History, 2003.
0.11 Douglas Bush, Professor Fish on the Milton "Variorum", Critical Inquiry, 1976.
0.10 Andrzej Warminski, Facing Language: Wordsworth's First Poetic Spirits, Diacritics, 1987.
0.10 Jerome Beaty, All Victoria's Horses and All Victoria's Men, New Literary History, 1970.
0.10 Lisa Samuels Jerome McGann, Deformance and Interpretation, New Literary History, 1999.