german das den germany als berlin ist kafka benjamin ein karl eine trans ich mit dem ernst friedrich sich

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0.59 Sarah Kirsch Helmbrecht Breinig Kevin Power, Objection / Widerrede, boundary 2, 1980.
0.57 Sarah Kirsch Helmbrecht Breinig Kevin Power, The Meropsbird / Der Meropsvogel, boundary 2, 1980.
0.48 Sarah Kirsch Helmbrecht Breinig Kevin Power, Seven Skins / Sieben Haute, boundary 2, 1980.
0.47 Sarah Kirsch Helmbrecht Breinig Kevin Power, Black Beans / Schwarze Bohnen, boundary 2, 1980.
0.46 Sarah Kirsch Helmbrecht Breinig Kevin Power, Nobody's Left Me / Keiner hat mich verlassen, boundary 2, 1980.
0.46 Sarah Kirsch Helmbrecht Breinig Kevin Power, The Forest Sanatorium / Das Xaldsanatorium, boundary 2, 1980.
0.39 Sarah Kirsch Helmbrecht Breinig Kevin Power, Washing Your Hair in the Country / Haarewaschen auf dem Land, boundary 2, 1980.
0.39 Sarah Kirsch Helmbrecht Breinig Kevin Power, The Flood / Die Uberschwemmung, boundary 2, 1980.
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0.34 Horst Bredekamp Melissa Thorson Hause Jackson Bond, From Walter Benjamin to Carl Schmitt via Thomas Hobbes, Critical Inquiry, 1999.
0.30 Florian Krobb, "Die Kunst der Väter tödtet das Leben der Enkel": Decadence and Crisis in Fin-de-Siècle German and Austrian Discourse, New Literary History, 2004.
0.29 Jennifer Bajorek, Animadversions: Tekhne after Capital/Life after Work, Diacritics, 2003.
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0.28 Sarah Kirsch Helmbrecht Breinig Kevin Power, Attraction / Anziehung, boundary 2, 1980.
0.27 Horst Bredekamp, A Neglected Tradition? Art History as Bildwissenschaft, Critical Inquiry, 2003.
0.22 Constantin Goschler, Radical Conservative Thought in the Intellectual Constellation of the Early Federal Republic, Cultural Critique, 2008.
0.22 Christian Jäger, Adjusting (To) the Federal Republic: The Geopolitical Turn in Heidegger's Aesthetics after 1945. Cultural Critique, 2008,
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0.21 Mark Harman, "Digging the Pit of Babel": Retranslating Franz Kafka's "Castle", New Literary History, 1996.
0.20 J. P. Stern, "Words Are Also Deeds": Some Observations on Austrian Language Consciousness, New Literary History, 1981.
0.20 Jennifer Bajorek, The Offices of Homeland Security or Hölderlin’s Terrorism, Critical Inquiry, 2005.
0.20 Liliane Weissberg, Turns of Emancipation: On Rahel Varnhagen's Letters, Cultural Critique, 1992.
0.20 Mirko M. Hall Jürgen Link, The Normalistic Subject and Its Curves: On the Symbolic Visualization of Orienteering Data, Cultural Critique, 2004.
0.19 Raymond Geuss, Celan's Meridian, boundary 2, 2006.
0.19 Patrice Higonnet Anne Higonnet Margaret Higonnet, Façades: Walter Benjamin's Paris, Critical Inquiry, 1984.
0.19 J. Hillis Miller, Promises Promises: Speech Act Theory Literary Theory and Politico-Economic Theory in Marx and De Man, New Literary History, 2002.
0.19 Brigid Doherty, "See: "We Are All Neurasthenics"!" or the Trauma of Dada Montage, Critical Inquiry, 1997.
0.18 Sarah Kirsch Helmbrecht Breinig Kevin Power, Sloes / Schlehen, boundary 2, 1980.
0.18 John Felstiner, "Ziv That Light": Translation and Tradition in Paul Celan, New Literary History, 1987.
0.18 Carsten Dutt, "To Oelze" on Gottfried Benn's Farewell Lines to His Friend, New Literary History, 2005.
0.18 Dagmar Herzog, "Pleasure Sex and Politics Belong Together": Post-Holocaust Memory and the Sexual Revolution in West Germany, Critical Inquiry, 1998.
0.17 Anders Stephanson, Introduction to Altvater/Hoffman, Social Text, 1990.
0.17 Timothy Bahti, Fate in the past: Peter Szondi's Reading of German Romantic Genre Theory, boundary 2, 1983.
0.17 O. K. Werckmeister, Walter Benjamin's Angel of History or the Transfiguration of the Revolutionary into the Historian, Critical Inquiry, 1996.
0.16 Thomas Fries James G. Hughes, Critical Relation Peter Szondi's Studies on Celan, boundary 2, 1983.
0.16 Peter Hughes, Painting the Ghost: Wittgenstein Shakespeare and Textual Representation, New Literary History, 1988.
0.16 Peter Szondi Harvey Mendelsohn, Tableau and Coup de Théâtre: On the Social Psychology of Diderot's Bourgeois Tragedy, New Literary History, 1980.
0.16 Wolf Kittler, From Gestalt to Ge-Stell: Martin Heidegger Reads Ernst Jünger, Cultural Critique, 2008.
0.16 Clayton Koelb, Nietzsche Malerba and the Aesthetics of Superficiality, boundary 2, 1983.
0.15 Willi Goetschel, Heine's Critical Secularism, boundary 2, 2004.
0.15 J. P. Stern, From Family Album to Literary History, New Literary History, 1975.
0.15 Geoffrey H. Hartman, Wordsworth and Goethe in Literary History, New Literary History, 1975.
0.15 Elmar Altvater Jürgen Hoffmann, The West German State Derivation Debate: The Relation betweeen Economy and Politics as a Problem of Marxist State Theory, Social Text, 1990.
0.15 Friedrich Kittler, Universities: Wet Hard Soft and Harder, Critical Inquiry, 2004.
0.14 Claudia Brodsky Lacour, Architectural History: Benjamin and Hölderlin, boundary 2, 2003.
0.14 Peter Galison, Aufbau/Bauhaus: Logical Positivism and Architectural Modernism, Critical Inquiry, 1990.
0.14 O. K. Werckmeister, Hitler the Artist, Critical Inquiry, 1997.
0.14 John Canaday, "The Sense of Option in Knowledge": The Blegdamsvej Faust and Quantum Mechanics, Social Text, 1999.
0.14 Geoff Waite, Heidegger Schmitt Strauss: The Hidden Monologue or Conserving Esotericism to Justify the High Hand of Violence, Cultural Critique, 2008.
0.14 Rainer Nägele, The Poetic Ground Laid Bare (Benjamin Reading Baudelaire), Diacritics, 1992.
0.14 Michael G. Levine, Spectral Gatherings: Derrida Celan and the Covenant of the Word, Diacritics, 2008.
0.14 Helmut Heissenbüttel Anselm Hollo, Oedipus Complex Made in Germany, boundary 2, 1999.
0.13 Raymond Geuss, A Response to Paul de Man, Critical Inquiry, 1983.
0.13 O. K. Werckmeister, Marx on Ideology and Art, New Literary History, 1973.
0.13 Klaus R. Scherpe Brent O. Peterson, Dramatization and De-Dramatization of "The End": The Apocalyptic Consciousness of Modernity and Post-Modernity, Cultural Critique, 1986.
0.13 Alexander Gelley, Novalis Miscellaneous Remarks: Introduction, New Literary History, 1991.
0.12 Niels Werber, Geo- and Biopolitics of Middle-Earth: A German Reading of Tolkien's "The Lord of the Rings", New Literary History, 2005.
0.12 Mirko M. Hall Jürgen Link, On the Contribution of Normalism to Modernity and Postmodernity, Cultural Critique, 2004.
0.12 Susan Lanzoni, An Epistemology of the Clinic: Ludwig Binswanger’s Phenomenology of the Other, Critical Inquiry, 2003.
0.12 Peter Krapp Rolf Tiedmann, Kafka Studies the Culture Industry and the Concept of Shame: Improper Remarks between Moral Philosophy and Philisophy of History, Cultural Critique, 2005.
0.12 Karlheinz Barck Anthony Reynolds, Walter Benjamin and Erich Auerbach: Fragments of a Correspondence, Diacritics, 1992.
0.12 Peter Uwe Hohendahl, Aesthetic Violence: The Concept of the Ugly in Adorno's "Aesthetic Theory", Cultural Critique, 2005.
0.12 Sieglinde Lemke, Berlin and Boundaries: Sollen versus Geschehen, boundary 2, 2000.
0.11 E. H. Gombrich, "They Were All Human Beings: So Much Is Plain": Reflections on Cultural Relativism in the Humanities, Critical Inquiry, 1987.
0.11 Matthew Griffin, Literary Studies +/- Literature: Friedrich A Kittler's Media Histories, New Literary History, 1996.
0.11 Lutz P. Koepnick, The Spectacle the "Trauerspiel" and the Politics of Resolution: Benjamin Reading the Baroque Reading Weimar, Critical Inquiry, 1996.
0.11 Martha Woodmansee, Toward a Genealogy of the Aesthetic: The German Reading Debate of the 1790s, Cultural Critique, 1988.
0.11 Samuel Weber, Taking Exception to Decision: Walter Benjamin and Carl Schmitt, Diacritics, 1992.
0.11 Jürgen Habermas Mathieu Deflem, Georg Simmel on Philosophy and Culture: Postscript to a Collection of Essays, Critical Inquiry, 1996.
0.11 Peter Uwe Hohendahl, A Precarious Balance: Adorno and German Classicism, New Literary History, 2011.
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0.11 Michael Silk, Nietzsche Decadence and the Greeks, New Literary History, 2004.
0.11 Walter Frisch, Music and Jugendstil, Critical Inquiry, 1990.
0.11 Petra Rethmann, On Militancy Sort of, Cultural Critique, 2006.
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0.10 Joan Hart, Erwin Panofsky and Karl Mannheim: A Dialogue on Interpretation, Critical Inquiry, 1993.
0.10 Sara Danius, Novel Visions and the Crisis of Culture: Visual Technology Modernism and Death in The Magic Mountain, boundary 2, 2000.
0.10 Anselm Haverkamp, Notes on the "Dialectical Image" (How Deconstructive Is It?), Diacritics, 1992.
0.10 Andrew Bowie, Alexander Kluge: An Introduction, Cultural Critique, 1986.