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0.37 Cara A. Finnegan, Documentary as Art in "US Camera", Rhetoric Society Quarterly, 2001.
0.27 Robert Lambert, Filmgraphics: Documentaries on Campus, College Composition and Communication, 1963.
0.26 Wendy Wolters, Without Sanctuary: Bearing Witness Bearing Whiteness, JAC, 2004.
0.25 Roy Huss Norman Silverstein, Film Study: Shot Orientation for the Literary Minded, College English, 1966.
0.25 Jack Jobst, THE TECHNICAL TALK MORE EFFECTIVE USE OF VISUAL AIDS, Journal of Advanced Composition, 1981.
0.23 Diana George Diane Shoos, Deflecting the Political in the Visual Images of Execution and the Death Penalty Debate, College English, 2005.
0.23 Robert P. Litz, This Writing Is: Ralph J Gleason's Notes on Miles Davis' Bitches Brew, College Composition and Communication, 1971.
0.23 Marguerite Helmers, Painting as Rhetorical Performance: Joseph Wright's "An Experiment on a Bird in the Air Pump", JAC, 2001.
0.22 Michael Bernard-Donals, Forgetful Memory and Images of the Holocaust, College English, 2004.
0.22 Maureen Daly Goggin, An "Essamplaire Essai" on the Rhetoricity of Needlework Sampler-Making: A Contribution to Theorizing and Historicizing Rhetorical Praxis, Rhetoric Review, 2002.
0.21 Bradford Vivian, In the Regard of the Image, JAC, 2007.
0.21 Kathi L. Groenendyk, The Importance of Vision: "Persuasion" and the Picturesque, Rhetoric Society Quarterly, 2000.
0.21 William D. Baker, Film as Sharpener of Perception, College Composition and Communication, 1964.
0.21 Nancy K. Miller, The Girl in the Photograph: The Vietnam War and the Making of National Memory, JAC, 2004.
0.20 Joseph Comprone, Response to Richard Williamson ("The Case for Filmmaking as English Composition") and to C F Angell, College Composition and Communication, 1972.
0.20 Thomas Peele, "Fight Club'"s Queer Representations, JAC, 2001.
0.20 Esther Burnett Sandra Thomason, The Cassette-Slide Show in Required Composition, College Composition and Communication, 1974.
0.20 Rodney Farnsworth, How the Other Half Sounds: An Historical Survey of Musical Rhetoric during the Baroque and After, Rhetoric Society Quarterly, 1990.
0.19 , Explication of an Art Film, College Composition and Communication, 1959.
0.19 John Louis Lucaites Robert Hariman, Visual Rhetoric Photojournalism and Democratic Public Culture, Rhetoric Review, 2001.
0.19 Robert Dye, The Film: Sacred and Profane, College Composition and Communication, 1964.
0.19 John Schilb, Toward A Rhetoric of Visual Fragments: Analyzing Disjunctive Narratives, JAC, 2002.
0.18 Dale Adams Robert Kline, The Use of Films in Teaching Composition, College Composition and Communication, 1975.
0.18 Verle Barnes, Eight Basic Considerations for the Teaching of Film, College Composition and Communication, 1976.
0.18 Brother De Paul, Bergman and Strindberg: Two Philosophies of Suffering, College English, 1965.
0.18 Kevin Michael De Luca, Unmoored: The Force of Images as Events, JAC, 2008.
0.18 Kenneth Macgowan, The Film Director's Contribution to the Screen, College English, 1951.
0.18 Wendy S. Hesford, Visual Auto/biography Hysteria and the Pedagogical Performance of the "Real", JAC, 2000.
0.18 George E. Yoos, How Pictures Lie, Rhetoric Society Quarterly, 1994.
0.18 John Pedro Schwartz, Object Lessons: Teaching Multiliteracies through the Museum, College English, 2008.
0.18 , Film as Art Form and Mode of Communication, College Composition and Communication, 1973.
0.17 Frank J. D'Angelo, The Rhetoric of Ekphrasis, JAC, 1998.
0.17 Marguerite Helmers, Media Discourse and the Public Sphere: Electronic Memorials to Diana Princess of Wales, College English, 2001.
0.17 Nicholas A. Salerno, La Dolce Vita or La Vita Nuova?, College Composition and Communication, 1963.
0.17 S. Michael Halloran, Text and Experience in a Historical Pageant: Toward a Rhetoric of Spectacle, Rhetoric Society Quarterly, 2001.
0.17 John Keenan, Teaching the American Musical, College English, 1963.
0.17 Ulrich Wicks, Studying Film as Integrated Text, Rhetoric Review, 1983.
0.17 Arthur Knight, Types Stereotypes and Acting in Films, College English, 1953.
0.16 Rebecca Bell-Metereau, A Tale of Two Texts: Verbal and Video, College English, 1983.
0.16 John J. Snyder, Happy Days Are Here Again, College English, 1975.
0.16 Bernard Knieger, La Dolce Vita: Twentieth-Century Man?, College Composition and Communication, 1962.
0.16 Richard J. Stonesifer, O Lost-Again: La Dolce Vita in the Classroom, College English, 1964.
0.16 Joyce Irene Middleton, Talking about Race and Whiteness in "Crash", College English, 2007.
0.16 Herbert Weisinger, The Motion Picture and the Teacher of English, College English, 1948.
0.16 Virginia M. Burke, Why Not Try Collage?, College Composition and Communication, 1959.
0.16 Theodore Ross, Gargoyles in Motion: On the Transmigration of Character from Page to Screen and Related Questions on Literature and Film, College English, 1977.
0.16 Richard M. Gollin, Film as Dramatic Literature, College English, 1969.
0.15 Diana George, From Analysis to Design: Visual Communication in the Teaching of Writing, College Composition and Communication, 2002.
0.15 Jane Sutton Mari Lee Mifsud, Figuring Rhetoric: From Antistrophe to Apostrophe through Catastrophe, Rhetoric Society Quarterly, 2002.
0.15 Winifred J. Wood, Double Desire: Overlapping Discourses in a Film Writing Course, College English, 1998.