play theater shakespeare theatrical stage plays renaissance drama audience dramatic english hamlet performance othello scene tragedy public act king

0.28 Patricia Parker, Othello and Hamlet: Dilation Spying and the "Secret Place" of Woman, Representations, 1993.
0.25 Stephen Orgel, The Authentic Shakespeare, Representations, 1988.
0.23 Robert Weimann, Thresholds to Memory and Commodity in Shakespeare's Endings, Representations, 1996.
0.20 Stephen Orgel, Prospero's Wife, Representations, 1984.
0.19 Ramie Targoff, The Performance of Prayer: Sincerity and Theatricality in Early Modern England, Representations, 1997.
0.19 Denis Hollier, I've Done My Act: An Exercise in Gravity, Representations, 1983.
0.19 Jeffrey Knapp, Preachers and Players in Shakespeare's England, Representations, 1993.
0.17 Stephen Greenblatt, Exorcism Into Art, Representations, 1985.
0.17 Jonathan Crewe, In the Field of Dreams: Transvestism in Twelfth Night and The Crying Game, Representations, 1995.
0.16 Eric Griffin, Un-Sainting James: Or Othello and the "Spanish Spirits" of Shakespeare's Globe, Representations, 1998.
0.16 Joel B. Altman, "Preposterous Conclusions": Eros Enargeia and the Composition of Othello, Representations, 1987.
0.15 Downing A. Thomas, Architectural Visions of Lyric Theater and Spectatorship in Late-Eighteenth-Century France, Representations, 1995.
0.15 Joseph Loewenstein, The Script in the Marketplace, Representations, 1985.
0.14 Stephen Greenblatt, The Eating of the Soul, Representations, 1994.
0.14 David Marshall, Rousseau and the State of Theater, Representations, 1986.
0.13 David Lee Miller, The Father's Witness: Patriarchal Images of Boys, Representations, 2000.
0.13 Steven Mullaney, Strange Things Gross Terms Curious Customs: The Rehearsal of Cultures in the Late Renaissance, Representations, 1983.
0.12 Olakunle George, Cultural Criticism in Wole Soyinka's Death and the King's Horseman, Representations, 1999.
0.12 Katharine Eisaman Maus, Proof and Consequences: Inwardness and its Exposure in the English Renaissance, Representations, 1991.
0.12 Richard Halpern, Shakespeare in the Tropics: From High Modernism to New Historicism, Representations, 1994.
0.11 Leslie S. Katz, The Merry Wives of Windsor: Sharing the Queen's Holiday, Representations, 1995.
0.11 Susan Maslan, Resisting Representation: Theater and Democracy in Revolutionary France, Representations, 1995.
0.11 Julia Reinhard Lupton, Othello Circumcised: Shakespeare and the Pauline Discourse of Nations, Representations, 1997.
0.11 Stanley Cavell, "Who Does the Wolf love?" Reading Coriolanus, Representations, 1983.
0.09 Froma I. Zeitlin, Playing the Other: Theater Theatricality and the Feminine in Greek Drama, Representations, 1985.
0.07 , Front Matter, Representations, 1988.
0.07 Christopher Braider, Cet hymen différé: The Figuration of Authority in Corneille's Le Cid, Representations, 1996.
0.07 Alan Sinfield, Private Lives/Public Theater: Noel Coward and the Politics of Homosexual Representation, Representations, 1991.
0.06 Samuel Kinser, Presentation and Representation: Carnival at Nuremberg 1450-1550. Representations, 1986,
0.06 Thomas Crow, Codes of Silence: Historical Interpretation and the Art of Watteau, Representations, 1985.
0.05 Jeffrey T. Schnapp, 18 BL: Fascist Mass Spectacle, Representations, 1993.