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0.39 Kathleen Moran Michael Rogin, "What's the Matter with Capra?": Sullivan's Travels and the Popular Front, Representations, 2000.
0.29 J. D. Connor, "The Projections": Allegories of Industrial Crisis in Neoclassical Hollywood, Representations, 2000.
0.28 Michael Rogin, "The Sword Became a Flashing Vision": D W Griffith's The Birth of a Nation, Representations, 1985.
0.20 Jerry Herron, Homer Simpson's Eyes and the Culture of Late Nostalgia, Representations, 1993.
0.19 Michael Rogin, Kiss Me Deadly: Communism Motherhood and Cold War Movies, Representations, 1984.
0.18 Michael Rogin, "Democracy and Burnt Cork": The End of Blackface the Beginning of Civil Rights, Representations, 1994.
0.17 David E. James, Rock and Roll in Representations of the Invasion of Vietnam, Representations, 1990.
0.16 Richard Slotkin, The Continuity of Forms: Myth and Genre in Warner Brothers' The Charge of the Light Brigade, Representations, 1990.
0.15 Vivian Sobchack, "Surge and Splendor": A Phenomenology of the Hollywood Historical Epic, Representations, 1990.
0.15 Stuart Culver, What Manikins Want: The Wonderful Wizard of Oz and The Art of Decorating Dry Goods Windows, Representations, 1988.
0.14 Michael Rogin, The Two Declarations of American Independence, Representations, 1996.
0.11 Carol J. Clover, Her Body Himself: Gender in the Slasher Film, Representations, 1987.
0.09 , Front Matter, Representations, 1990.
0.09 Linda Williams, Power Pleasure and Perversion: Sadomasochistic Film Pornography, Representations, 1989.
0.09 Margaret Olin, Lanzmann's Shoah and the Topography of the Holocaust Film, Representations, 1997.
0.07 Michael Rogin, "Make My Day!": Spectacle as Amnesia in Imperial Politics, Representations, 1990.
0.06 , Front Matter, Representations, 2000.
0.05 Lisa Cartwright, "Experiments of Destruction": Cinematic Inscriptions of Physiology, Representations, 1992.
0.05 D. A. Miller, Anal Rope, Representations, 1990.