film american black war films hollywood john white blackface york popular movie mass culture cinema world audience movies america

0.50 Michael Rogin, "Democracy and Burnt Cork": The End of Blackface the Beginning of Civil Rights, Representations, 1994.
0.50 Kathleen Moran Michael Rogin, "What's the Matter with Capra?": Sullivan's Travels and the Popular Front, Representations, 2000.
0.43 Michael Rogin, "The Sword Became a Flashing Vision": D W Griffith's The Birth of a Nation, Representations, 1985.
0.40 Michael Rogin, The Two Declarations of American Independence, Representations, 1996.
0.39 Michael Rogin, Kiss Me Deadly: Communism Motherhood and Cold War Movies, Representations, 1984.
0.33 J. D. Connor, "The Projections": Allegories of Industrial Crisis in Neoclassical Hollywood, Representations, 2000.
0.32 David E. James, Rock and Roll in Representations of the Invasion of Vietnam, Representations, 1990.
0.30 Michael Rogin, "Make My Day!": Spectacle as Amnesia in Imperial Politics, Representations, 1990.
0.29 Bill Brown, Global Bodies/Postnationalities: Charles Johnson's Consumer Culture, Representations, 1997.
0.29 Michael E. Staub, Black Panthers New Journalism and the Rewriting of the Sixties, Representations, 1997.
0.28 Catherine Gunther Kodat, Saving Private Property: Steven Spielberg's American Dream Works, Representations, 2000.
0.26 Richard Slotkin, The Continuity of Forms: Myth and Genre in Warner Brothers' The Charge of the Light Brigade, Representations, 1990.
0.21 Jerry Herron, Homer Simpson's Eyes and the Culture of Late Nostalgia, Representations, 1993.
0.21 Greil Marcus, Dock Boggs in Thomas Jefferson's Virginia, Representations, 1997.
0.21 Vivian Sobchack, "Surge and Splendor": A Phenomenology of the Hollywood Historical Epic, Representations, 1990.
0.20 Eric J. Sundquist, Mark Twain and Homer Plessy, Representations, 1988.
0.19 , Front Matter, Representations, 1990.
0.19 Melani McAlister, "The Common Heritage of Mankind": Race Nation and Masculinity in the King Tut Exhibit, Representations, 1996.
0.18 Eric Lott, Love and Theft: The Racial Unconscious of Blackface Minstrelsy, Representations, 1992.
0.18 Anne M. Wagner, Warhol Paints History or Race in America, Representations, 1996.
0.17 Walter Benn Michaels, An American Tragedy or the Promise of American Life, Representations, 1989.
0.15 Carol J. Clover, Her Body Himself: Gender in the Slasher Film, Representations, 1987.
0.13 , Front Matter, Representations, 1985.
0.12 Jed Rasula, Nietzsche in the Nursery: Naive Classics and Surrogate Parents in Postwar American Cultural Debates, Representations, 1990.
0.10 Linda Williams, Power Pleasure and Perversion: Sadomasochistic Film Pornography, Representations, 1989.
0.09 , Front Matter, Representations, 2000.
0.09 Nathaniel Mackey, Other: From Noun to Verb, Representations, 1992.
0.09 Margaret Olin, Lanzmann's Shoah and the Topography of the Holocaust Film, Representations, 1997.
0.09 Elizabeth Legge, Reinventing Derivation: Roles Stereotypes and "Young British Art", Representations, 2000.
0.08 Marita Sturken, The Wall the Screen and the Image: The Vietnam Veterans Memorial, Representations, 1991.
0.07 , Back Matter, Representations, 1999.
0.07 , Front Matter, Representations, 1984.
0.06 D. A. Miller, Anal Rope, Representations, 1990.
0.06 Alan Trachtenberg, Albums of War: On Reading Civil War Photographs, Representations, 1985.
0.06 Lisa Cartwright, "Experiments of Destruction": Cinematic Inscriptions of Physiology, Representations, 1992.
0.06 , Front Matter, Representations, 1997.
0.06 Jeffrey T. Schnapp, 18 BL: Fascist Mass Spectacle, Representations, 1993.
0.05 , Front Matter, Representations, 1992.
0.05 Stuart Culver, What Manikins Want: The Wonderful Wizard of Oz and The Art of Decorating Dry Goods Windows, Representations, 1988.
0.05 , Front Matter, Representations, 1985.
0.05 Anne M. Wagner, Lee Krasner as LK, Representations, 1989.