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0.34 Charles Hersch, "Let Freedom Ring!": Free Jazz and African-American Politics, Cultural Critique, 1995.
0.33 Jim Merod Scott Hamilton, Wait for the Chord: An Interview with Scott Hamilton, boundary 2, 1995.
0.33 Jim Merod Benny Golson, Forward Motion: An Interview with Benny Golson, boundary 2, 1995.
0.33 Jim Merod Art Farmer, You Have to Become: An Interview with Art Farmer, boundary 2, 1995.
0.30 Steven Connor, The Decomposing Voice of Postmodern Music, New Literary History, 2001.
0.30 John M. Chernoff, The Rhythmic Medium in African Music, New Literary History, 1991.
0.30 Jonathan Wipplinger Theodor Adorno, Four Hands Once Again, Cultural Critique, 2005.
0.30 Ingrid Monson, Doubleness and Jazz Improvisation: Irony Parody and Ethnomusicology, Critical Inquiry, 1994.
0.30 Jim Merod Dave McKenna, A Cocktail Lounge Saloon Song Player: An Interview with Dave McKenna, boundary 2, 1995.
0.29 Jim Merod Frank Strazzeri, Paint Another Picture: An Interview with Frank Strazzeri, boundary 2, 1995.
0.29 Ingrid Monson, Hearing Seeing and Perceptual Agency, Critical Inquiry, 2008.
0.29 Jeffrey Knapp, “Sacred Songs Popular Prices”: Secularization in The Jazz Singer, Critical Inquiry, 2008.
0.29 Jim Merod John Hicks, A Little Bitty Fly on the Wall: An Interview with John Hicks, boundary 2, 1995.
0.28 Tom McIntosh, Reflections on Jazz and the Politics of Race, boundary 2, 1995.
0.28 Joseph Kerman, A Few Canonic Variations, Critical Inquiry, 1983.
0.27 Marshall Brown, Mozart and after: The Revolution in Musical Consciousness, Critical Inquiry, 1981.
0.27 Edward T. Cone, In Defense of Song: The Contribution of Roger Sessions, Critical Inquiry, 1975.
0.27 Ingrid Monson, Hearing Seeing and Perceptual Agency, Critical Inquiry, 2008.
0.27 Scott Lawrence, The Collectors at the Gardens, boundary 2, 1974.
0.26 John Reichert, Making Sense of Interpretation, Critical Inquiry, 1980.
0.26 Jonathan D. Kramer, New Temporalities in Music, Critical Inquiry, 1981.
0.26 Jim Merod, The Question of Miles Davis, boundary 2, 2001.
0.26 Brent Hayes Edwards, Louis Armstrong and the Syntax of Scat, Critical Inquiry, 2002.
0.25 Lawrence Kramer, The Shape of Post-Classical Music, Critical Inquiry, 1979.
0.25 Jim Merod Joe Wilder, Tell a Story: An Interview with Joe Wilder, boundary 2, 1995.
0.25 George Bowering, Radio Jazz, boundary 2, 1974.
0.25 Michael Oletta, Michael Oletta on His Art: [Photographs], boundary 2, 1995.
0.24 Barry Shank, "That Wild Mercury Sound": Bob Dylan and the Illusion of American Culture, boundary 2, 2002.
0.23 Siegmund Levarie, Noise, Critical Inquiry, 1977.
0.23 Joseph Kerman, How We Got into Analysis and How to Get out, Critical Inquiry, 1980.
0.23 Benny Golson, What Would the World Have Done, boundary 2, 1995.
0.22 Alexandra T. Vazquez, Can You Feel the Beat? Freestyle's Systems of Living Loving and Recording, Social Text, 2010.
0.22 Carolyn Abbate, Music—Drastic or Gnostic?, Critical Inquiry, 2004.
0.22 Walter Frisch, Music and Jugendstil, Critical Inquiry, 1990.
0.22 Susan McClary, A Musical Dialectic from the Enlightenment: Mozart's "Piano Concerto in G Major K 453" Movement 2, Cultural Critique, 1986.
0.22 Jim Merod Mary Stallings, There's a Foundation to Everything: An Interview with Mary Stallings, boundary 2, 1995.
0.21 Maria Rika Maniates, The Reception of New Music Today: A Response, New Literary History, 1986.
0.21 Robert P. Morgan, Musical Time/Musical Space, Critical Inquiry, 1980.
0.21 Benj De Mott, What Plays at Work, Social Text, 1992.
0.21 Timothy D. Taylor, Peopling the Stage: Opera Otherness and New Musical Representations in the Eighteenth Century, Cultural Critique, 1997.
0.21 Jim Merod, Andante ma non troppo e molto cantabile: Audio (ll)literacy or Beethoven's Triumphant Despair, boundary 2, 2008.
0.21 Miloš Velimirović, Changing Interpretations of Music, New Literary History, 1986.
0.21 Anthony Gilbert, Musical Space: A Composer's View, Critical Inquiry, 1981.
0.20 Daniel A. Herwitz, The Security of the Obvious: On John Cage's Musical Radicalism, Critical Inquiry, 1988.
0.20 Frank Davey, Interlude, boundary 2, 1974.
0.20 Bob Cobbing, From Domestic Ambient Noise, boundary 2, 1999.
0.20 Rose Rosengard Subotnik, Tonality Autonomy and Competence in Post-Classical Music, Critical Inquiry, 1979.
0.19 Richard Leppert, "Four Hands Three Hearts": A Commentary, Cultural Critique, 2005.
0.19 Robert P. Morgan, On the Analysis of Recent Music, Critical Inquiry, 1977.
0.19 Leo Treitler, History and Music, New Literary History, 1990.
0.19 Leonard B. Meyer, Critical Analysis and Performance: The Theme of Mozart's a Major Piano Sonata, New Literary History, 1971.
0.19 Maynard Solomon, Beethoven's Ninth Symphony: The Sense of an Ending, Critical Inquiry, 1991.
0.19 Theodore Antoniou N. C. Germanacos Caroline A. Vanderlinde Th. Maskaleris, Searching for the Theme of an Article about Contemporary Theater Music, boundary 2, 1973.
0.18 Claire Detels, Soft Boundaries and Relatedness: Paradigm for a Postmodern Feminist Musical Aesthetics, boundary 2, 1992.
0.18 Benjamin Zephaniah, Rong Radio, boundary 2, 2006.
0.18 Carol Cooper, Disco Knights: Hidden Heroes of the New York Dance Music Underground, Social Text, 1995.
0.18 Lawrence Kramer, Recognizing Schubert: Musical Subjectivity Cultural Change and Jane Campion’s The Portrait of a Lady, Critical Inquiry, 2002.
0.18 David Suisman, Sound Knowledge and the "Immanence of Human Failure": Rethinking Musical Mechanization through the Phonography the Player-Piano and the Piano, Social Text, 2010.
0.18 Phillip Brian Harper, Synesthesia "Crossover" and Blacks in Popular Music, Social Text, 1989.
0.18 Nancy J. Holland, Purple Passion: Images of Female Desire in "When Doves Cry", Cultural Critique, 1988.
0.18 Martijn Oosterbaan, Spiritual Attunement: Pentecostal Radio in the Soundscape of a Favela in Rio de Janeiro, Social Text, 2008.
0.17 Ruth Ha Cohen, Between Noise and Harmony: The Oratorical Moment in the Musical Entanglements of Jews and Christians, Critical Inquiry, 2006.
0.17 Kofi Agawn, Representing African Music, Critical Inquiry, 1992.
0.17 Robert P. Morgan, Secret Languages: The Roots of Musical Modernism, Critical Inquiry, 1984.
0.17 Anthony Newcomb, Sound and Feeling, Critical Inquiry, 1984.
0.17 Jim Merod, The Sublime Lyrical Abstractions of Edward W Said, boundary 2, 1998.
0.17 Daniel Barenboim, Maestro, Critical Inquiry, 2005.
0.17 Alexander G. Weheliye, "Feenin": Posthuman Voices in Contemporary Black Popular Music, Social Text, 2002.
0.17 Lindsay Waters, Come Softly Darling Hear What I Say: Listening in a State of Distraction: A Tribute to the Work of Walter Benjamin Elvis Presley and Robert Christgau, boundary 2, 2003.
0.17 Randy Martin, Dance as a Social Movement, Social Text, 1985.
0.17 David Lelyveld, Upon the Subdominant: Administering Music on All-India Radio, Social Text, 1994.
0.17 Stephanie A. Judy, "The Grand Concord of What": Preliminary Thoughts on Musical Composition in Poetry, boundary 2, 1977.
0.17 Susan McClary, Terminal Prestige: The Case of Avant-Garde Music Composition, Cultural Critique, 1989.
0.17 Andrew Ross Frank Owen Moby Frankie Knuckles Carol Cooper, The Cult of the DJ: A Symposium, Social Text, 1995.
0.17 Gustavus Stadler, Never Heard Such a Thing: Lynching and Phonographic Modernity, Social Text, 2010.
0.17 Stephen Hartnett, Cultural Postmodernism and Bobby McFerrin: A Case Study of Musical Production as the Composition of Spectacle, Cultural Critique, 1990.
0.17 Michael Rogin, Blackface White Noise: The Jewish Jazz Singer Finds His Voice, Critical Inquiry, 1992.
0.17 Lawrence Kramer, Music Historical Knowledge and Critical Inquiry: Three Variations on The Ruins of Athens, Critical Inquiry, 2005.
0.17 Alexander G. Weheliye, "I Am I Be": The Subject of Sonic Afro-Modernity, boundary 2, 2003.
0.16 Jim Merod, Intellectual Collaboration in the Age of Technological Overdetermination: Miles Davis and John Coltrane, boundary 2, 1997.
0.16 Bertrand H. Bronson, Traditional Ballads Musically Considered, Critical Inquiry, 1975.
0.16 James M. Harding, Adorno Ellison and the Critique of Jazz, Cultural Critique, 1995.
0.16 Robert Hullot-Kentor, Second Salvage: Prolegomenon to a Reconstruction of "Current of Music", Cultural Critique, 2005.
0.16 Elizabeth Tolbert, The Enigma of Music the Voice of Reason: "Music" "Language" and Becoming Human, New Literary History, 2001.
0.16 James D. Herbert, The Debts of Divine Music in Wagner’s Ring des Nibelungen, Critical Inquiry, 2002.
0.16 Jayna Brown, Buzz and Rumble: Global Pop Music and Utopian Impulse, Social Text, 2010.
0.16 Leonard Dean, Theory and the Muddle, Critical Inquiry, 1980.
0.16 John Bokina, Resignation Retreat and Impotence: The Aesthetics and Politics of the Modern German Artist-Opera, Cultural Critique, 1988.
0.16 Gustavus Stadler, Introduction: Breaking Sound Barriers, Social Text, 2010.
0.15 Jonathan D. Kramer, Can Modernism Survive George Rochberg?, Critical Inquiry, 1984.
0.15 Leonard B. Meyer, Grammatical Simplicity and Relational Richness: The Trio of Mozart's G Minor Symphony, Critical Inquiry, 1976.
0.15 Richard Leppert, Music Representation and Social Order in Early-Modern Europe, Cultural Critique, 1989.
0.15 Caryl Clark, Forging Identity: Beethoven's "Ode" as European Anthem, Critical Inquiry, 1997.
0.15 Gerry Stahl, Attuned to Being: Heideggerian Music in Technological Society, boundary 2, 1976.
0.15 David James, The Vietnam War and American Music, Social Text, 1989.
0.15 Sophia Roosth, Screaming Yeast: Sonocytology Cytoplasmic Milieus and Cellular Subjectivities, Critical Inquiry, 2009.
0.14 Robert G. O'Meally, Checking Our Balances: Ellison on Armstrong's Humor, boundary 2, 2003.
0.14 Simon Frith, Rock and the Politics of Memory, Social Text, 1984.
0.14 Douglas Dunn, Going Bird Meets Cougar-Asleep-on-Tree-Branch, New Literary History, 1995.
0.14 Paul Allen Anderson, The World Heard: Casablanca and the Music of War, Critical Inquiry, 2006.
0.14 Jim Merod, Jazz as a Cultural Archive, boundary 2, 1995.
0.14 Martin Scherzinger, Music Corporate Power and Unending War, Cultural Critique, 2005.
0.14 Jennifer Stoever-Ackerman, Splicing the Sonic Color-Line: Tony Schwartz Remixes Postwar Nueva York, Social Text, 2010.
0.14 Jacques Attali, Interview with Jacques Attali, Social Text, 1983.
0.14 Dick Hebdige, Even unto Death: Improvisation Edging and Enframement, Critical Inquiry, 2001.
0.13 Walter J. Ong, African Talking Drums and Oral Noetics, New Literary History, 1977.
0.13 Carol J. Clover, Dancin' in the Rain, Critical Inquiry, 1995.
0.13 Nathaniel Mackey, The Changing Same: Black Music in the Poetry of Amiri Baraka, boundary 2, 1978.
0.13 Rose Rosengard Subotnik, The Cultural Message of Musical Semiology: Some Thoughts on Music Language and Criticism since the Enlightenment, Critical Inquiry, 1978.
0.13 Roger Sessions, Heinrich Schenker's Contribution, Critical Inquiry, 1975.
0.13 Richard Leppert, Music "Pushed to the Edge of Existence" (Adorno Listening and the Question of Hope), Cultural Critique, 2005.
0.13 Michael Sahl, Criticism or Control? Hegemonic Left Aesthetics, Social Text, 1985.
0.12 Albert Murray, The Vernacular Imperative: Duke Ellington's Place in the National Pantheon, boundary 2, 1995.
0.12 John M. Picker, The Victorian Aura of the Recorded Voice, New Literary History, 2001.
0.12 Paul Ziff, A Creative Use of Language, New Literary History, 1972.
0.12 Kevin Bell, The Embrace of Entropy: Ralph Ellison and the Freedom Principle of Jazz Invisible, boundary 2, 2003.
0.11 Ronald Radano, Denoting Difference: The Writing of the Slave Spirituals, Critical Inquiry, 1996.
0.11 George Lipsitz, Cruising around the Historical Bloc: Postmodernism and Popular Music in East Los Angeles, Cultural Critique, 1986.
0.11 Richard Shusterman, The Fine Art of Rap, New Literary History, 1991.
0.11 Kevin Thomas Miles, Haunting Music in The Souls of Black Folk, boundary 2, 2000.
0.11 Ping-hui Liao, "Of Writing Words for Music Which Is Already Made": "Madama Butterfly Turandot" and Orientalism, Cultural Critique, 1990.
0.11 Leo Treitler, "Wozzeck" and the Apocalypse: An Essay in Historical Criticism, Critical Inquiry, 1976.
0.11 George Lipsitz, Mardi Gras Indians: Carnival and Counter-Narrative in Black New Orleans, Cultural Critique, 1988.
0.10 Karen C. C. Dalton Henry Louis Gates_ Jr., Josephine Baker and Paul Colin: African American Dance Seen through Parisian Eyes, Critical Inquiry, 1998.
0.10 Tim Brennan, Off the Gangsta Tip: A Rap Appreciation or Forgetting about Los Angeles, Critical Inquiry, 1994.
0.10 Jane C. Desmond, Embodying Difference: Issues in Dance and Cultural Studies, Cultural Critique, 1993.